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Bigger Is Better | Artists Network
Painting landscapes en plein air requires both intuition and observation—and working on a large surface can increase your aptitude for both. By Joe Paquet Working large in the field amounts to a direct conversation with nature. I didn’t always understand this. For many years, I worked up my smaller field studies in the studio, trying… <div class="woocommerce"> <div class="woocommerce-info wc-memberships-restriction-message wc-memberships-message wc-memberships-content-restricted-message"> This post is only available to members. </div> </div>
Moods of Nature | Artists Network
Lynn Welker’s abstract paintings are spare sanctuaries in a disorderly world. By Michael Gormley Lynn Welker’s semi-abstract inventions, created using a direct-painting plus collage technique, reference Pablo Picasso’s and George Braque’s early cubist experiments. Welker,
Free Paint Along - Master Painting Trees Once and For All | Artists Network
With Johannes Vloothuis Foliage emerges as the predominant feature in landscapes. Aspiring artists often lean heavily on reference photos and plein air experiences when painting them. Yet, the true test arises in transitioning from these