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11 | Follower
Film Comment Magazine
16.09.2025
Field reports: films like Cover-Up, Landmarks, and The Voice of Hind Rajab pierced through the festival’s illusive bubble with lightning bolts of reality
12.09.2025
Break like the wind: the legendary British rockers are joined by their longtime creative foil, filmmaker Marty DiBergi, to discuss their long, loud career
06.09.2025
Walk on by: Guy Lodge and and Öykü Sofuoğlu join to discuss Duse, Remake, The Voice of Hind Rajab, and more
05.09.2025
Rock of ages: critics Savina Petkova and Jordan Mintzer join to discuss Benny Safdie's The Smashing Machine, Lucrecia Martel's Nuestra Tierra (Landmarks), and more
04.09.2025
Family affair: Bilge Ebiri and Jonathan Romney join to discuss Jim Jarmusch’s Father Mother Brother Sister, Kent Jones’s Late Fame, and more
02.09.2025
Golden years: Jonathan Romney and Jordan Cronk join to discuss early festival premieres Jay Kelly, Bugonia, La grazia, and more
Built to last: critics Joseph Fahim and Öykü Sofuoğlu join to discuss festival premieres including Guillermo Del Toro’s Frankenstein, Jihan K’s My Father and Qaddafi, and more
Crashing out: critics Katie McCabe and Tim Grierson join to discuss festival premieres including Luca Guadagnino’s After the Hunt, Park Chan-wook’s No Other Choice, and more
26.08.2025
War report: intimate and epic, My Undesirable Friends: Part One follows a small cohort of oppositional journalists in Putin’s Russia during the run-up to the military invasion of Ukraine
Video life: many of the best films at this year’s festival—including Blue Heron, God Will Not Help, and Dry Leaf—explored the imperfect nature of recollection
25.08.2025
Tooth and nail: Inney Prakash and Cici Peng join to discuss festival highlights Dracula, Dry Leaf, With Hasan in Gaza, and more
Still lives: the two acclaimed directors discuss their latest films, the practicalities of their unique production methods, and more
08.08.2025
Water colors: the Argentine filmmaker pens and paints a tribute to Hong Sangsoo’s latest “river film," By the Stream
Charged as guilty: Roman Polanski‘s J'accuse, which dramatizes the infamous Dreyfus Affair, premiered to great acclaim in France—but soon led to further allegations of sexual abuse by the director
01.08.2025
Now seating: Gina Telaroli, Benjamin Crais, and Michael Blair spotlight unmissable repertory series playing in New York City
29.07.2025
Stop that train: the recursions of a painful past preoccupied many of the best films at this year’s edition of the Czech festival
Together now: the moving-image artist and scholar discusses her decades-long practice of “memory work”
Seat yourself: three independent cinemas opening in New York City are betting that audiences still prefer collective experiences of art and urban space
Train tracks: the Austrian experimental filmmaker discusses using found footage to interrogate and play with the past
16.07.2025
Let them cook: Phoebe Chen, Bedatri Datta Choudhury, and Joseph Hernandez join to discuss the humble household appliance’s enduring on-screen appeal
15.07.2025
On fire: at this year’s edition of the festival devoted to rediscoveries and restorations, distinctions between high and low art dissolved into the heat of the air
Name game: the renowned British experimental filmmaker speaks about his latest, a politically charged and cheekily playful essay film
08.07.2025
Circuit cities: the Mumbai-based collaborative art studio CAMP experiments with media technology in playful and political ways
New scene: the incarcerated journalist shares her painstaking journey to teach herself screenwriting in prison
04.07.2025
Start your engines: critics Alana Pockros and Adam Nayman join to discuss F1, Materialists, 28 Years Later, and more
01.07.2025
Walks beside me: an inclusive, elastic understanding of modern queer lives emerges across Dag Johan Haugerud’s Sex/Dreams/Love trilogy
Bull in the heather: Albert Serra‘s challenging and visceral portrait of a matador is one of the year’s best films
26.06.2025
Fire escapes: the acclaimed author joins to discuss Mahamat-Saleh Haroun’s 2013 thriller, cinematic portrayals of the climate crisis, and more
24.06.2025
This whole world: the films of Pierre Creton model a communal life removed from urban capitalism, nationalism, and traditional family structures
Heroes and villains: the festival largely made good on its promise to show socially relevant works from independent and early-career filmmakers
19.06.2025
Recipe for living: the stalwart actor talks to the legendary film critic about her latest role as an octogenarian settling into a nursing home
17.06.2025
Children‘s song: the 92-year-old filmmaker, visual artist, musician, and activist reflects on her influential body of work, currently the subject of a major retrospective at MoMA PS1
Here today: a new festival defiantly reclaims a lost history, bringing contemporary and classic Cambodian cinema to a local audience
10.06.2025
End of the road: new films by Kelly Reichardt, Kleber Mendonça Filho, Julia Ducournau, and Sergei Loznitsa explore the politics of time
Road music: the German auteur discusses his latest tale of hauntings and doublings, which follows a morose piano student who wanders into the life of an enigmatic woman
05.06.2025
Listen in: filmmakers Eduardo Williams, Brett Story, and Zoya Laktionova discuss the ethical and practical ways in which documentaries use sound, voice, and audio
31.05.2025
Going express: the filmmaker discusses his contemporary reimagining of Kurosawa’s classic, working again with Denzel Washington, and what makes New York City such a rich setting and subject
Get a grip: Mission: Impossible – The Final Reckoning celebrates the tenacity and power of the human body struggling against technology
28.05.2025
Political world: the Iranian auteur speaks about his Palme d‘Or–winning latest, a typically ingenious meditation on the lasting effects of state repression
Pressing on: standouts of the second week of the festival included Pedro Pinho’s I Only Rest in the Storm, Julia Ducournau’s Alpha, and Jafar Panahi’s It Was Just an Accident