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“I think that unfortunately in this day and age, people really don’t want to see women expressing sexuality as having agency [...] I see BDSM—and any sort of consensual and safe sexual activity—as a healthy form of self-expression, that any kind of person should be able to pursue.
Black Box Diaries highlights that, as it currently stands, we will not find justice through pathways run by patriarchy and the valuing of the upper-class and higher-powered voices over the marginalized.
Daughters is essential viewing in its insistence that we sit with the pain, grief, and ongoing that countless American families sit with daily under the oppression of the modern, for-profit prison system.
It seems as though late-night talk show hosts have it pretty easy. They walk out to a crowd primed to applaud at their every quip, breezily speak to robotic and predictable guests who are there to promote, and gesture toward the musical act, all while making light banter with apparent ease. On the face of…
‘Woman of the Hour’ uses the bare bones of its true crime anecdote to explore the impossible nature of constantly performing womanhood “correctly” under the inherent and constant threat of male violence.
Catherine Breillat’s Last Summer walks in stride with her preceding cinematic reputation, albeit perhaps with slightly gentler steps. Last Summer is not as fantastical or explicit as works like her Romance, nor is it as jarring and unflinching as Fat Girl, but it nonetheless feels as if it is in conversation with both cultural accusations…
Coppola's newest film shows us how Priscilla Presley was swallowed whole by Elvis and his world, compelled to be the person he wanted her to be at a time when you are meant to be discovering yourself on your own terms.