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The timing is uncannily ripe for Robert Indiana: The American Dream, a major exhibition at the New York flagship of Pace Gallery, showcasing seminal examples of paintings and sculpture created from the early 1960s and evolving throughout his career. The groundbreaking presentation opens Friday at the 540 West 25th Street gallery and remains on view until August 15.
With a voice unlike any other, playwright Caryl Churchill creates wild, wondrous worlds with the plays Glass. Kill. What If If Only. IMP, performed together at the Public Theater. Actor Deirdre O’Connell leaps between comedy and cosmic in Churchill’s latest plays
Kevin Beasley’s site-specific installation ROSCENIUM| Rebirth / Growth: The Watch / Harvest / Dormancy: On Reflection (2024–25) inaugurates Storm King’s Tippetts Field, which transforms a parking lot into an interactive, immersive art space. Beasley’s largest work to date, sprawling 100 feet wide and soaring 11 feet tall, compels us to reconsider our place in the universe.
Dionysus, our intrepid enabler (2025), a three-foot-by-three-foot square acrylic on stretched canvas embodies the inner circular imagery within a sparkly pale background encased in a walnut frame, is a highlight of the Proximities exhibition presented by Tappan, the contemporary art platform dedicated to identifying and amplifying the next generation of emerging and and mid-career artists.