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The opera met with a mixed response on its 2017 premiere. After two reworkings, and with many of its original cast reprising their roles, this premiere recording is a rich and energetic mix
She plays barefoot in jeans with a thrilling unpredictability that makes every show electric. Ahead of a performance that promises to transform the concert stage into a living room, we meet the whirlwind violinist
Nadine Sierra is sensationally good as Lucia in this revival of Katie Mitchell’s production of Donizetti’s romantic tragedy – a dark, thoughtful and sometimes shocking interpretation for the post-#MeToo era
Claude Debussy’s piano music written in the last few years of his life interspersed with works by ethnomusicologist and composer Komitas Vardapet<br><strong><br></strong>
Aigul Akhmetshina steals the show in Damiano Michieletto’s uneven new 70s-set Bizet. And in a good week for world premieres, four composers take on Handel while the London Symphony Orchestra channels death metal
With music that ranged across four centuries culminating in the premiere of Cassandra Miller’s Chanter for guitar and strings, this concert showcased the skill of Shibe, a truly compelling performer
Her intimate compositions take existing melodies that she refracts, rethinks and expands into compelling new pieces. Ahead of the premiere of a new work for guitarist Sean Shibe, Cassandra Millers talks about process, pleasures and sleep chanting
The starry Korean pianist’s account of Beethoven’s Fourth Piano Concerto was joyous and compelling, while Gardner made a persuasive case for Tippett’s divisive second symphony <br>
Boulez’s 100th and Rattle’s 70th are among the highlights of the LSO’s new season with chief conductor Antonio Pappano in which British music is a strong thread. The orchestra also announced an £8m redevelopment of LSO St Lukes