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Hyperallergic
03.09.2025
Christian Marclay’s most recent assemblage-style film splices together cinematic clips of doors and the various comings and goings they usher.
In the French poet’s later writings, now available in an English translation, his ideas about the movement he founded begin to mingle with our own.
The 12th SITE Santa Fe International takes reflection as its cue, offering mirror images, doubles, reversals, and echoes in which multiple perspectives and timelines unfold.
Fellowships at SAAM and its Renwick Gallery provide scholars with access to collections, community, and professional advancement.
A recurring lack of nuance plagues Grayson Perry’s exhibition at the Wallace Collection, which explores history, gender, class, and mental illness.
Residencies, fellowships, grants, and open calls from the Smithsonian American Art Museum, Tate Papers, and more in our monthly list of opportunities for artists, writers, and art workers.
Police raided the home of Patricia Kadgien after an 18th-century painting plundered from a Dutch-Jewish art collector was spotted in a real estate listing.
Frank Lloyd Wright’s iconic Manhattan rotunda, The Met’s Medieval outpost, and more in this month’s themed puzzle.
The repatriation effort is significant not just for the amount of time that has elapsed, but also because it is completely organized and funded by the Pueblo itself.
Through paper works set within period interiors, Rejin Leys makes visible the nested layers of Jamaica, Queens.
When “rediscovered” women artists are lumped together, we might ask: Who acts as the discoverer, who tells the story, and how do they tell it?
02.09.2025
A survey of the LA artist’s work proves that the issues she began grappling with in the 1970s are not past threats, but hauntingly present ones.
A new exhibition focuses on Black Southerners documented by photographers like Walker Evans, Dorothea Lange, and Ben Shahn.
Institutions peddle a Western aesthetic of “traditional” Tibetan shrines without scholarly backing, negating their limitless lived variety.
Revisiting my teenage years working for artists Freedom and Crash and renovating Keith Haring's Pop Shop, I wrestle with the ironies of parenting as my son takes up tagging.
“I wanted a true artist’s home — welcoming, colorful, like a cabinet of curiosities; weird, filled with me.”
The artist’s namesake museum in Amsterdam says it will be forced to shutter if the government doesn’t raise its subsidies for sustainability and repairs.
Hugo Crosthwaite, whose stop-motion animation about the scientist was targeted by the Trump administration, talks to Hyperallergic about the work’s backstory.
Alicia Vera documents and processes her mother’s disease diagnosis in a new book.
This year’s fair features over 250 local and international artists’ book publishers, alongside a full weekend of programs and performances from September 11 through 14.
A retrospective of the work of Gustave Caillebotte illuminates the painter’s radical focus on the male form and the lives of men.
As Trump goes after the institution, a temporary space for the National Museum of the American Latino closed ahead of schedule in preparation for America’s 250th programming.
The painter wanted to experience the shock of strangeness, to embrace the allure of the louche, the forbidden, the disapproved of.
Spot the matcha lattes, coded artspeak, and those polarizing split-toe shoes in preparation for the fall kick-off.
Amid market unease and slimmer blue-chip participation, some galleries see an opportunity to cultivate collectors at the mammoth Manhattan fair.
The artist’s site-specific commission at the Huntington makes you feel like you’re floating in space, or suspended underwater.
A handful of independent jigsaw companies are bringing art by living artists into a playful new medium.
Faculty and union members are questioning the staff cuts, arguing that they will harm the school’s ability to nurture the next generation of artists.
A show on Louise Bourgeois, Eva Hesse, and Alice Adams gives a sense of how different, even alarming, these pieces would have been to viewers in the 1960s.
This week: The ethics of design, Noguchi Museum workers speak out, Native communities on the closure of “Alligator Alcatraz,” Letterboxd woes, music classes in Gaza, and more.
28.08.2025
The current standard misrepresents the continent’s scale, which activists argue reinforces misconceptions about its significance.
The president effectively dismantled the Institute of Museum and Library Services, leaving hundreds of federal fund recipients in the lurch.
Alicia Vera documents and processes her mother’s Alzheimer’s disease diagnosis in a new book.
What to see at the Armory Show and beyond — from a sceney exhibition in an office building to a beloved art book fair back at MoMA PS1.
The Iraqi artist's Chicago survey show uses technology and performance to address the experience of his identity in the post-9/11 era.
Enormous in scale, Saville's uncomfortably close-cropped depictions of women’s faces and nude bodies abound in the joy of painterly modeling.
27.08.2025
The High Renaissance master’s first comprehensive international loan exhibition in the United States will feature pieces never before shown together.
"When governments police museums, they are not simply policing exhibitions. They are policing imagination itself," the artist wrote in a new opinion essay.
In an interview with Hyperallergic, Satch Hoyt shared his process of "un-muting" African musical objects long relegated to storage.
The artist’s mid-career survey features Indigenous sci-fi retellings of Hotinonshón:ni cosmology and histories, expressed through her avatars.