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Improvisations on a well-known theme by George and Ira Gershwin, now LADY BE GOOD, but originally, OH, LADY BE GOOD!. Here is Cliff Edwards in 1925, who begins with the sweet verse: https://youtu.be/1ughJYxojok?si=iEPdHdcSh_ThNo9Q Generations of jazz players and singers have taken the LADY for various rides around the park. I begin this post with the…
Some experiential sociology follows, subjective, hardly comprehensive. In the Twenties, hot music, dancing, and illicit liquor were happily linked. Speakeasies may have served food as a cover, just as restaurants may have offered liquor sub rosa during Prohibition. But the only evidence of music accompanied by food I have is Louis, thirty years after the…
Edgar Allen Poe enjoyed the sounds, as did the audience at Temple Court. and and a wide-angle shot of the room (photos courtesy of RSG Studios): I don't recall precisely when I heard the wonderful singer Cemre Necefbas on YouTube, but it was before the pandemic. I was thrilled to know she is back in…
Just perfect. And I am particularly delighted by this duo-performance because Marc and Jeff have not only been musical heroes but good friends of mine and of JAZZ LIVES for fifteen years. Thanks to Eric Whittington of Bird & Beckett Books & Records, even people at some distance from San Francisco (like myself) and otherwise…
I know my title is unsubtle. Not everyone can (which is why I bring a video camera, to spread the joy). But it occurred to me this afternoon, Thursday, October 4, 2025, that in four weeks from now, Thursday, October 2, the OAO and I will be on a plane to Eureka, California, to dip…
On her YouTube channel, the marvelous singer Cemre Necefbaş has a one-sentence biography: "She was born in Istanbul in 1994, singing." As Johnny Keats was fond of saying, that is all you need to know. I will add that her work is a marvelous blend of passion and exactitude (she takes risks but sticks the…
https://jazzlives.wordpress.com/2025/06/06/its-hot-its-here-tthe-hot-club-of-new-york-has-a-home-20-west-20th-street-room-307-new-york-city/?preview_id=75452&preview_nonce=96bb27b61a&preview=true&_thumbnail_id=75471 On Monday nights (7:30-10:30 PM) The Hot Club of New York warmly embraces the past while bringing it to the present, by sharing music recorded on 78 rpm records. It's sweetly and unaffectedly educational, with none of the dusty strictures of the classroom. This is due to the gently witty personality of its founder,…
Joe Boughton's triumphant jazz weekend, Jazz at Chautauqua, opened and closed with as many musicians as possible on stage to play a series of one-chorus ballad solos, and then one or two riotous jam session extravaganzas, often dividing twenty musicians into two bands alternating choruses and solos. They took as their model the Eddie Condon…
If you look up "Paul Bacon" online and find the right one, you will be facing perhaps hundreds of memorable designs -- from early Blue Note lp jackets to MONK'S MUSIC -- and book jackets completely recognizable (Joseph Heller's CATCH-22) even as their creator remains anonymous. I doubt that he got royalties for his art,…
Something different, but totally charming. A friend told me about this music, and although everyone was new to me, I found myself playing the track -- a swinging 12-bar blues with a marvelous singer -- several times. That was all the encouragement I needed to tell you about it. FAST CURVES for sure. Marisa Balistreri,…
Few of us are fortunate enough to have live music performed at Sunday brunch. But thanks to Joe Boughton and Jazz at Chautauqua, we had the most uplifting sounds along with eggs, fruit, coffee, and toast. Joe also wanted the music he love to be documented, so we can recapture experiences of more than a…
For Part One of this delicious Musical Offering, click here. You won't be sorry. The band and I will wait. and and! And now to music. Always welcome, Donaldson's YOU'RE DRIVING ME CRAZY: https://youtu.be/2MBqw07qceo A standard that's much-loved but not frequently played, DON'T BLAME ME: https://youtu.be/z4Rl5K1vaCQ THE SHEIK OF ARABY, echoing Hot Lips Page on…
I don't think many railroad depots have waiting rooms with stoves like this anymore, but the music counts more than the vintage expression. I wanted to call this post THE VERY DEFINITION OF HOT JAZZ or APPLY HEAT TO THE AFFLICTED AREA, but the stove caught my eye. The music catches the ear and never…
Ford Madox Ford's novel THE GOOD SOLDIER begins with "This is the saddest story I have ever heard." Perhaps the most melancholy interlude in American popular song is the 1929 A COTTAGE FOR SALE, music by Willard Robison, lyrics by Larry Conleym although I hear Robison's particular kind of midwestern melancholy in the lyrics as…
You can experience the first half of this delicious musical-communal interlude here. The quick version is that this was the first jam session gathering sponsored by the Hot Club of New York, and the happy participants were Evan Arntzen, clarinet and tenor saxophone; Joel Wenhardt, piano; Andrew Millar, drums; Sam Chess, trombone; Jay Rattman, clarinet.…
The music that follows -- the exuberant hot music, I should say -- is shared here thanks to the generosity of Irene Biermans, who managed the Swedish Jazz Kings and was also the wife of its spectacular reedman Tomas Ornberg. She is very much on the planet, so her generosity is in the present tense,…
If you spend any time with pre-pubescent children, this word, part admonition, part entreaty, might come to your mind. It's mechanical, in the same way one hopes to train better behavior by repetition and reward. Perhaps you grew up with the even less subtle, "Say please!" as part of your training to be courteous. But…
I think of these five musicians as Anointed Guardians of Medium-Tempo Swing. It's fashionable to play fast, and occasionally take time for a ballad, but the Groove: "music to pat your foot by," as William Basie, the Saint of Red Bank, described it, is to be treasured. Here are selections -- more good news! --…
Mainstream jazz nirvana, utterly personal voices blending into a marvelous unity. This wonderful session came about because of jazz enthusiast and entrepreneur Joe Boughton, whose enterprises included the Conneaut Lake Jazz Festival, Jazz at Chautauqua, the Allegheny Jazz Society, JUMP Records, and more. Joe left for another neighborhood in 2010, but his legacy lives on…
My title isn't hyperbole. I know, among jazz fans of a certain orientation, that the Past is the hallowed place. "X is great, but have you heard Y on this song?" I admire Y without limit, but Y is dead and no longer gigging. X and Company can be seen in person in the rapidly-receding…
Here but not here. I can delight in the music and energy of Jim Dapogny (James or Prof, take your pick) but I can no longer send him an email or sit down to a meal with him. Everything and everyone is finite, but I don't expect to stop feeling his absence while I am…
October is not that far away. For some, it is the season of mists and mellow fruitfulness. For me, it's time for the Redwood Coast Music Festival. I don't know a place more full of fruitfulness -- the musical and personal kind -- than the Redwood Coast Music Festival in Eureka, California. You can look…
We might not know that we are starved for beauty, but when we encounter it, the force of recognition tells us everything. Here is a very casual and very moving performance: an interlude from the world of 2025. Bud Freeman, tenor saxophone, then 82, and Bucky PIzzarelli, guitar, playing Rodgers and Hart's BEWITCHED. I offer…
I don't pretend to be an authority on the field of what's called "writing about jazz," even though I began reading it at my local library when I was buying records at department stores for three or four dollars. Yes, Xerxes I was Pharoah then. I'm no authority because my interests are narrow. By choice,…
Relaxing on the porch of the Athenaeum Hotel during a "Jazz at Chautauqua" weekend, Bob Barnard, cornet (left) and John Sheridan, piano (right). Two lyrical melodists who loved to create lyricism together. Both have moved to other neighborhoods, but their reassuring sounds remain. Here they are, passionately playing I GET IDEAS (or ADIOS MUCHACHOS) during…
I attended Joe Boughton's Jazz at Chautauqua from 2004-2010, and then followed it as it morphed into the Allegheny Jazz Party and the Cleveland Classic Jazz Party, thanks to Nancy Hancock Griffith and Kathy Hancock, until it expired of natural economic causes in 2017. Thanks to the immeasurable kindness of Sarah Boughton Holt and Bill…
Traditionally, New Yorkers who can, flee the city at the end of summer, looking for less humid escapes. But I would urge those who feel the music deeply to stay off of Expedia for a few moments more to read this, since a jazz hero -- a fellow who goes by the alias "Ken Peplowski"…
I never met Dr. David A. Wasserman, of Fort Lee, New Jersey, who died earlier this year. But in a way more spiritual than logical, I feel as if I heard him on Sunday night, June 1, 2025. Exhibit A, as they say in courtroom dramas, is an identification tag affixed to a clarinet case.…
Photograph by Lynn Redmile Here's Part One: https://jazzlives.wordpress.com/2025/07/09/midtown-mainstream-magic-with-the-danny-tobias-septet-scott-robinson-dan-block-steve-ash-felix-lemerle-jen-hodge-alex-raderman-winnies-jazz-bar-66-west-38th-street-june-13-2025/?preview_id=75881&preview_nonce=29887069a0&preview=true&_thumbnail_id=75058 THE JEEP IS JUMPIN': https://youtu.be/FPiVLRMbJkw BLACK VELVET (by Jimmy Mundy, made famous by Illinois Jacquet): https://youtu.be/_DBub9Ktoqc?si=vzKiu1ZSvIOVc9jL THE SHEIK OF ARABY: https://youtu.be/6W10qP99i34?si=CL16umeiBAOHiGI9 IT'S THE TALK OF THE TOWN: https://youtu.be/v26iW1PVsaU?si=Yr_myGIOstcB_eWn Berlin's social commentary, PUTTIN' ON THE RITZ: https://youtu.be/4o55cu-vxdE?si=XxWIkjrCSCeXQN1o And the swinging perennial that never ages, JUST YOU, JUST ME:…
The Hot Club of New York inaugurated its series of live performances on Sunday, July 13. "Memorable" would be an understatement. If you were there, you know. But if you didn't make this one, I did, and can share the magic. Evan Arntzen, clarinet and tenor, and Joel Wenhardt, piano, began the casual session (with…
The bright lights of Ellingtonia will never be dimmed. Here are three adventures in luminescence, created for us by Jon-Erik Kellso, Puje trumpet; Mark Shane, piano; Kevin Dorn, drums, at Cafe Ornithology, 1037 Broadway (at Suydam Street), Bushwick, Brooklyn, New York, on a lovely June night. First, Mark Shane, beautifully ruminative, on IN A SENTIMENTAL…
Marty Grosz is a remarkable musician and entertainer, and "remarkable" is a pallid understatement. A scholar of the chordal acoustic guitar -- solo, rhythm, and accompaniment; a singer combining early Crosby, Red McKenzie, and Fats Waller, and (something often ignored, perhaps because of Marty's sometimes acidic world-view) a peerless romantic balladeer. His friend Frank Chace,…
A whole-hearted attempt that did not land well. Asking a philosophical question, shaking one's head at what happens. Performed on Sunday, September 19, 2004. Song titles and musicians announced within the performance. Original recording made possible and captured by Joe Boughton; this offering is thanks to Sarah Boughton Holt and Bill Boughton. Note: the catastrophe…
Some marvelous music was created yesterday, late afternoon into evening, at Birdland in New York City by the Dan Block Quartet. That's Dan, tenor saxophone, bass clarinet, compositions; Danny Tobias, trumpet; Eb alto horn, Sean Smith, double bass; Ben Zweig, drums. I've written about this group before, here, and perhaps some of the people who…
"Michael, tell us a story." All right, I will. When my wife and I are at some gathering and she introduces me to (let us say) relatives or old friends of hers I have not yet met, she might say, "Michael is a retired English professor, but his real passion is jazz." Sometimes I can…
The title of this concert falls midway between Understatement and Truth in Advertising, because it presents Hank Jones and John Lewis, piano; George Mraz, double bass; Lewis Nash, drums. Subtle glories from four masters of the art. John Lewis Hank Jones at Monterey Jazz Festival 9/22/85 © Brian McMillen Quartet: PERDIDO / STOMPIN' AT THE…
On July 12, 2025, Andy Schumm turns forty. (He said so himself, on that most trustworthy of oracles, Facebook.) We celebrate him as an artist of deep musical integrity, a scholar who performs brilliantly what he knows so well, a wonderful cornetist, arranger, reedman, pianist, plectrist, percussionist, composer, bandleader, and possibly more that I have…
One of the most rewarding musical events of this or any other year is the series of performances that Danny Tobias and friends have been creating -- quartet or septet -- at Winnie's Jazz Bar, beginning in mid-March and continuing. The Quartet has been Jay Rattman, reeds; Jen Hodge, double bass; Felix Lemerle; the Septet…
As someone entranced by the possibilities of jazz piano, I consider myself fortunate to live in the era of Dick Hyman. I've seen him live here and in California; he allowed me to video-record him, and spoke a few sentences to me. But more than those close encounters, I treasure his gentle audacities: his limitless…
The EarRegulars, heroic denizens of 326 Spring Street for eighteen years of Sunday nights (that's nine hundred effusions of joy and musical wisdom, more or less) have been known to travel elsewhere in the US and Europe. New Yorkers Jon-Erik Kellso, Puje trumpet; Matt Munisteri, guitar, and [for a later set] Dennis Lichtman, clarinet, mandolin,…