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Toronto – The Canadian Opera Company welcomes Elisabeta Cojocaru and Kimly Mengyin Wang to the company’s Ensemble Studio as pianist coaches for the 2025/2026 season. Cojocaru is currently a pianist with McGill-Université de Montréal Vocal Arts Residency who has recently participated in festivals across North America and Europe including l’Académie vocale internationale de Lachine in Montréal, SongFest in Nashville, Opera Nuova in Edmonton, and Exzellenz Labor
Composer Julien Bilodeau and librettist Michel Marc Bouchard’s La Reine-garçon represents a milestone as the first co-production of a new “mainstage” opera between two of Canada’s major opera companies. Premiered at Opéra de Montréal almost exactly one year ago, it made its Canadian Opera Company debut on Jan. 31st. Taking iconoclast 17th-century monarch Queen Christine La Reine-garçon represents a milestone as the first co-production of a new “mainstage” opera between two of Canada’s major opera companies.
To celebrate the Valentine month, La Scena Musicale’s team of opera experts present five great Puccini love duets. “Tu, tu, amore? Tu?” Manon Lescaut When it comes to love duets, I’ll stick my neck out and say nobody can beat the great Giacomo Puccini, the master of Italian verismo. When you have great singing actors To celebrate the Valentine month, La Scena Musicale’s team of opera experts present five great Puccini love duets.
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Art Choral, Vol. 2 : Baroque I Ensemble ArtChoral: sopranos Magali Simard-Galdès, Denise Torre Ormeño and Ellen Torrie; altos William Duffy, Rosalie Lane-Lépine and Meagan Zantingh; tenors Jean-Sébastien Allaire, Haitham Haidar and Adam Will Begley; basses Alasdair Campbell, Clayton Kennedy and William Krausha; Matthias Maute, conductor Atma Classique, 2024 Art Choral, Vol. 2 : Baroque This is Ensemble ArtChoral’s second release in a series of 15 albums surveying the history of choral music of the Renaissance and Baroque periods.
When baroque oboist Alfredo Bernardini first performed with Tafelmusik in 1982, the baroque oboe was a much rarer specimen than it is today. “At the time,” he says, “there were only a handful of baroque oboists in the world.” Bernardini was fortunate, then, to be performing alongside his teacher Bruce Haynes, an early pioneer who Baroque oboist Alfredo Bernardini returns to Toronto to conduct Tafelmusik Baroque Orchestra. They will present a program of Fasch, Handel, Telemann and Bach.