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40 years ago today, Echo & The Bunnymen released Ocean Rain. Walked on a tidal wave—laughed in the face of a brand-new day. Check out our Take Cover! feature pitting Pavement against Ian McCulloch and Co. It’s killing time:
Grain is the third recording by Innode, a trio founded by ex-Radian and Lokai guitarist Stefan Németh. If you had to sum up his creative process in a phrase, it would be “change within clear parameters.” Over the past quarter century, his collaborators, tools and procedures have shifted with time so that even the decision to surrender to circumstances, which is what it took to make Grain, is a consciously executed plan.
30 years ago today, the Stone Roses released their self-titled debut album. This is the one. Watch our MAGNET television episode with Andy Bell (Ride, Oasis), where he talks about how The Stone Roses changed his life:
“The song was somewhat of an anomaly in that I wrote it in a different environment than I’m used to, and the words you hear are the first ones that came out of my mouth,” says Madeline Hawthorne about her latest single, “Where Did I Go Wrong.” “I wrote it up in my bedroom while […]
Babes In Canyon’s Amanda Ebert was feeling like she’d given all she could to others, and she was craving a life more rooted in the present. Such was the inspiration for “Year To Live,” the title track from the Seattle-based trio’s most recent EP, available on Darcy Blue Records. The emotional and artistic fulcrum of Babes In Canyon is Ebert and husband Nathan Hamer, the latter a founding member of folk/pop outfit Kuinka, which has built up a robust following with headlining tours and festival performances. Babes is rounded out by bassist/percussionist Michelle Nuño, another Kuinka member.
It might be smidge over-the-top to say that Rose Hotel’s Jordan Reynolds was at the end of her tether when she wrote “Fruit Tree” … but only a smidge. “I was thinking about what I wanted from music and my career, and if that dream was even possible anymore,” says Reynolds of the latest single from her upcoming LP, A Pawn Surrender, out June 7 on Strolling Bones. “I wanted to personify the temptation of success in music as something sensual and lusted over, which brought up the image of the forbidden fruit.”
Anyone who’s experienced writer’s block can tell you it’s no fun. And Warren Dunes’ Julia Massey has seen her share of creative dry spells. “I wrote ‘Inspiration Blues’ because I was stuck in one of the inevitable storms of the artist’s journey,” says the leader of the exceedingly eclectic (and philanthropic) Seattle-based indie-pop trio. “I couldn’t figure out what to write about, so I wrote about that. I really enjoyed fleshing out that simple idea and trying to capture the feeling of losing your muse—not just with words but also with music.”