Known for his distinctive approach to music, Tarek Atoui (Beirut, Lebanon, 1980; lives and works in Paris) investigates the acoustic properties of elements

Mousse | Contemporary Art Magazine

12.03.2025

Marisa Merz “Listen to the Space” at Kunstmuseum Bern — Mousse Magazine and Publishing

Marisa Merz (1926–2019) was one of the leading figures in the post-war Italian art scene. In 2013, she was awarded the Golden Lion for her life’s work at the

Mousse | Contemporary Art Magazine

12.03.2025

“Salon International de la peinture de Delme” at Centre D’Art Contemporain La Synagogue de Delme — Mousse Magazine and Publishing

I’ll be back !Terminator, James Cameron, 1984.

Mousse | Contemporary Art Magazine

11.03.2025

“Yay, to have a mouth!” at Rose Easton & Ginny on Frederick, London — Mousse Magazine and Publishing

Untitled, or: an ode to my mouth

Mousse | Contemporary Art Magazine

11.03.2025

“iwillmedievalfutureyou2” at Lilith Performance Studio, Malmö — Mousse Magazine and Publishing

A major international, interdisciplinary exhibition-performance featuring several of the world's emerging art stars, such as Mire Lee, currently presenting

Mousse | Contemporary Art Magazine

08.03.2025

Milena Büsch “Dead Duck” at FELIX GAUDLITZ, Vienna — Mousse Magazine and Publishing

“A person or a thing that is defunct or has no chance of success.”

Mousse | Contemporary Art Magazine

08.03.2025

Peter Joseph “The Early Works” at Lisson Gallery, London — Mousse Magazine and Publishing

British painter Peter Joseph’s 17th solo exhibition with Lisson Gallery presents a selection of early and rare works from the 1960s and ‘70s that track

Mousse | Contemporary Art Magazine

07.03.2025

Theaster Gates “1965: Malcolm in Winter: A Translation Exercise” at White Cube Bermondsey, London — Mousse Magazine and Publishing

Spanning the entirety of the Bermondsey gallery, the artist debuts a new series of architectural interventions, large-scale installations, film works, and

Mousse | Contemporary Art Magazine

07.03.2025

Tanat Teeradakorn “National Opera Complex” at Gasworks, London — Mousse Magazine and Publishing

Fusing sculpture, video, sound and graphic design, the exhibition explores the parallel histories of Thailand and the UK, from pop culture and politics

Mousse | Contemporary Art Magazine

06.03.2025

Michael Landy and Gillian Wearing “Art Lovers” at Thomas Dane Gallery, Naples — Mousse Magazine and Publishing

The exhibition will present new work by the artists responding to Naples and its history, alongside a selection of works spanning the last three decades of

Mousse | Contemporary Art Magazine

06.03.2025

Valentin Noujaïm “PANTHEON” at Kunsthalle Basel — Mousse Magazine and Publishing

At Kunsthalle Basel, “PANTHEON” reimagines a business district as a stage on which power is constructed, contested, and memorialized. Weaving together film,

Mousse | Contemporary Art Magazine

06.03.2025

Bouchra Khalili “A Trilogy: The Tempest Society, The Circle, and The Public Storyteller” at Luma Westbau, Zurich — Mousse Magazine and Publishing

Bouchra Khalili works across different media including film, video, installation, photography, works on paper, textile, and editorial platforms. Her

Mousse | Contemporary Art Magazine

06.03.2025

Annie Ernaux & Marc Marie, Ellen Cantor “BEDROOM, CHRISTMAS MORNING” at Galerie Isabella Bortolozzi, Berlin — Mousse Magazine and Publishing

“BEDROOM, CHRISTMAS MORNING” an exhibition showing original hand-printed colour photographs by Annie Ernaux & Marc Marie, alongside If I Just Turn and Run

Mousse | Contemporary Art Magazine

05.03.2025

“15 Years” at P420, Bologna — Mousse Magazine and Publishing

A group show that celebrates for the first time all the artists who have contributed to set the course of the gallery founded in 2010 by Fabrizio Padovani and

Mousse | Contemporary Art Magazine

05.03.2025

“Camille Henrot. A Number of Things” at Hauser & Wirth, New York — Mousse Magazine and Publishing

Evoking children’s developmental tools, shoes, distorted graphs and counting devices, new large-scale bronze sculptures from the artist’s “Abacus” series

Mousse | Contemporary Art Magazine

04.03.2025

“Tarek Atoui. At-Tāriq” at TBA21 - Museo Nacional Thyssen-Bornemisza, Madrid — Mousse Magazine and Publishing

This is the first solo show in Madrid of internationally renowned artist Tarek Atoui. The exhibition is the result of the in-depth research that the

Mousse | Contemporary Art Magazine

04.03.2025

Janiva Ellis “Fear Corroded Ape” at Carpenter Center, Cambridge — Mousse Magazine and Publishing

The Carpenter Center for the Visual Arts is pleased to present new work by Janiva Ellis (b.1987) in the exhibition “Fear Corroded Ape,” on view January 31 to

Mousse | Contemporary Art Magazine

04.03.2025

Ayşe Erkmen “Emre & Dario” at GROTTO, Berlin — Mousse Magazine and Publishing

A piece of furniture sliding across a room, a plate falling from a table and shattering, hollow knocks breaking the silence—these uncanny happenings are

Mousse | Contemporary Art Magazine

02.03.2025

Peter Hujar “Eyes Open in the Dark” at Raven Row, London — Mousse Magazine and Publishing

This is the first exhibition to take on the full breadth of Peter Hujar’s later photography. Hujar was a central figure in the downtown scene of 1970s and

Mousse | Contemporary Art Magazine

02.03.2025

Anna Rubin “Streamer” at Cherry Hill, Cologne — Mousse Magazine and Publishing

There is a short story by Argentinian writer Cecilia Pavon called “A Post-Marxist Theory of Unhappiness” I think about often. In the story the world has run

Mousse | Contemporary Art Magazine

01.03.2025

Selma Selman “Sleeping Guards” at Stedelijk Museum, Amsterdam — Mousse Magazine and Publishing

The exhibition will showcase work in a variety of media—including performance, drawing, installation, and film—with which Selman compellingly and poetically

Mousse | Contemporary Art Magazine

01.03.2025

Caroline Bachmann & Nicolas Party at Galerie Gregor Staiger, Zurich — Mousse Magazine and Publishing

When my daughter looked at the pink-violet-gray gradient of the sky this morning, she said, "The sky is delicious today"—as if it were a moment so unique that

Mousse | Contemporary Art Magazine

28.02.2025

Raque Ford “Cry Baby” at Kunstverein Gartenhaus, Vienna — Mousse Magazine and Publishing

Raque Ford infuses abstraction with narrative potential, producing layered works that explore how identity is crafted from the remnants of popular culture.

Mousse | Contemporary Art Magazine

28.02.2025

Sara Enrico “Unearth Desires” at Vistamare, Milano — Mousse Magazine and Publishing

Presented at the 59th Venice Biennale in 2022, at OGR in Turin in 2023 and most recently at Castello di Rivoli for Ouverture 2024, this series of sculptures

Mousse | Contemporary Art Magazine

28.02.2025

Rasmus Røhling “Open Label Placebos” at Simian, Copenhagen — Mousse Magazine and Publishing

The Turner Prize Did you hear the one about the MRI machine that went to prison? It’s a scary thought. The whirring, clanking magnetic resonance imager can

Mousse | Contemporary Art Magazine

27.02.2025

Allan Weber “My Order” at Nottingham Contemporary — Mousse Magazine and Publishing

Nottingham Contemporary is excited to present the first institutional solo exhibition of Allan Weber. The exhibition will feature existing works, alongside

Mousse | Contemporary Art Magazine

27.02.2025

Lorenza Longhi “Dazzle Dazzle” at Kunstverein Freiburg — Mousse Magazine and Publishing

Imagine arriving right at the aftermath of a lavish celebration. Lights on, party’s over. The remains of what once was unbridled luxury now sparkle scattered

Mousse | Contemporary Art Magazine

26.02.2025

Richard Sides “Years” at KIN, Brussels — Mousse Magazine and Publishing

PurpleThe English word for purple comes from a Latin word which comes from a Greek word.Anne Carson, Variations on the Right to Remain Silent, (New York:

Mousse | Contemporary Art Magazine

26.02.2025

Jacopo Benassi "Eden” at Mai 36 Galerie, Zurich — Mousse Magazine and Publishing

For an artist today, nothing is more challenging than dedicating oneself to photography. The proliferation of devices has made it possible for anyone to take

Mousse | Contemporary Art Magazine

26.02.2025

Sebastiano Pallavisini “WHO'S GOOD BOY?” at SMDOT/Contemporary Art, Udine — Mousse Magazine and Publishing

Reasonable ChaosOften my job requires me to write introductions to contemporary art exhibitions, something I take pleasure in doing, turning a deaf ear to, or

Mousse | Contemporary Art Magazine

25.02.2025

Racheal Crowther “Gebrauchsmusik” at Galerie Noah Klink, Berlin — Mousse Magazine and Publishing

Close Call Only (10783, DE)—the second iteration of a work originally conceived for the Royal Academy of Arts, London—comprises a Diamond D-777 receiving

Mousse | Contemporary Art Magazine

25.02.2025

“FW pt.1” at High Art, Paris — Mousse Magazine and Publishing

FW (part 1 and 2) is a seasonal exhibition that takes place in two parts, the first exhibition opening in the fall in Paris and the second exhibition opening

Mousse | Contemporary Art Magazine

25.02.2025

Ser Serpas “chandler” at LC QUEISSER, Tbilisi — Mousse Magazine and Publishing

In this scene, Alan Zaveri confronts Nadia Vulvokov, stating, “You are the most selfish person I have ever met.” He then expresses gratitude by saying, “Thank

Mousse | Contemporary Art Magazine

25.02.2025

Nolan Oswald Dennis “overturns” at Swiss Institute, New York — Mousse Magazine and Publishing

“overturns” departs from a pair of conceptual threads in the work of Jamaican philosopher Sylvia Wynter. Lending the exhibition its title, Dennis references

Mousse | Contemporary Art Magazine

21.02.2025

Shu Lea Cheang “KI$$ KI$$” at Haus der Kunst, Munich — Mousse Magazine and Publishing

Shu Lea Cheang survey exhibition “KI$$ KI$$” takes the net artist and filmmaker’s first feature film, Fresh Kill (1994), as a starting point to present the

Mousse | Contemporary Art Magazine

21.02.2025

“Undercurrents” at Galerie Molitor, Berlin — Mousse Magazine and Publishing

A group show of six artists linked by their explorations of materiality, value, and the affective conditions of late-capitalist life. These artists explore

Mousse | Contemporary Art Magazine

21.02.2025

“Lubaina Himid” at UCCA Center for Contemporary Art, Beijing — Mousse Magazine and Publishing

The survey exhibition offers an overview of Himid’s remarkable career and her distinctively powerful artistic approach to historical narratives,

Mousse | Contemporary Art Magazine

20.02.2025

Oh Hi, Desire. Hi, Death: Shahryar Nashat at Istituto Svizzero, Rome — Mousse Magazine and Publishing

On the occasion of Blood Most Precious, Shahryar Nashat’s solo exhibition on view now at Istituto Svizzero in Rome, the artist sat down with fellow artist

Mousse | Contemporary Art Magazine

19.02.2025

Bruce Conner “THREE SCREEN RAY” at Thomas Dane Gallery, London — Mousse Magazine and Publishing

Before music videos and rapid-fire editing pervaded popular culture, Conner pioneered techniques of vertical montage and subliminal messaging with his 16mm

Mousse | Contemporary Art Magazine

19.02.2025

Silvia Bächli “lines are telling stories” at Galleria Raffaella Cortese, Milan — Mousse Magazine and Publishing

“We move further and further away from the many wishes and desires and are amazed to discover how little material substance Silvia Bächli needs in order to

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Tarek Atoui “Improvisation in 10 Days” at Hangar Bicocca, Milan — Mousse Magazine and Publishing

Marisa Merz “Listen to the Space” at Kunstmuseum Bern — Mousse Magazine and Publishing

“Salon International de la peinture de Delme” at Centre D’Art Contemporain La Synagogue de Delme — Mousse Magazine and Publishing

“Yay, to have a mouth!” at Rose Easton & Ginny on Frederick, London — Mousse Magazine and Publishing

“iwillmedievalfutureyou2” at Lilith Performance Studio, Malmö — Mousse Magazine and Publishing

Milena Büsch “Dead Duck” at FELIX GAUDLITZ, Vienna — Mousse Magazine and Publishing

Peter Joseph “The Early Works” at Lisson Gallery, London — Mousse Magazine and Publishing

Theaster Gates “1965: Malcolm in Winter: A Translation Exercise” at White Cube Bermondsey, London — Mousse Magazine and Publishing

Tanat Teeradakorn “National Opera Complex” at Gasworks, London — Mousse Magazine and Publishing

Michael Landy and Gillian Wearing “Art Lovers” at Thomas Dane Gallery, Naples — Mousse Magazine and Publishing

Valentin Noujaïm “PANTHEON” at Kunsthalle Basel — Mousse Magazine and Publishing

Bouchra Khalili “A Trilogy: The Tempest Society, The Circle, and The Public Storyteller” at Luma Westbau, Zurich — Mousse Magazine and Publishing

Annie Ernaux & Marc Marie, Ellen Cantor “BEDROOM, CHRISTMAS MORNING” at Galerie Isabella Bortolozzi, Berlin — Mousse Magazine and Publishing

“15 Years” at P420, Bologna — Mousse Magazine and Publishing

“Camille Henrot. A Number of Things” at Hauser & Wirth, New York — Mousse Magazine and Publishing

“Tarek Atoui. At-Tāriq” at TBA21 - Museo Nacional Thyssen-Bornemisza, Madrid — Mousse Magazine and Publishing

Janiva Ellis “Fear Corroded Ape” at Carpenter Center, Cambridge — Mousse Magazine and Publishing

Ayşe Erkmen “Emre & Dario” at GROTTO, Berlin — Mousse Magazine and Publishing

Peter Hujar “Eyes Open in the Dark” at Raven Row, London — Mousse Magazine and Publishing

Anna Rubin “Streamer” at Cherry Hill, Cologne — Mousse Magazine and Publishing

Selma Selman “Sleeping Guards” at Stedelijk Museum, Amsterdam — Mousse Magazine and Publishing

Caroline Bachmann & Nicolas Party at Galerie Gregor Staiger, Zurich — Mousse Magazine and Publishing

Raque Ford “Cry Baby” at Kunstverein Gartenhaus, Vienna — Mousse Magazine and Publishing

Sara Enrico “Unearth Desires” at Vistamare, Milano — Mousse Magazine and Publishing

Rasmus Røhling “Open Label Placebos” at Simian, Copenhagen — Mousse Magazine and Publishing

Allan Weber “My Order” at Nottingham Contemporary — Mousse Magazine and Publishing

Lorenza Longhi “Dazzle Dazzle” at Kunstverein Freiburg — Mousse Magazine and Publishing

Richard Sides “Years” at KIN, Brussels — Mousse Magazine and Publishing

Jacopo Benassi "Eden” at Mai 36 Galerie, Zurich — Mousse Magazine and Publishing

Sebastiano Pallavisini “WHO'S GOOD BOY?” at SMDOT/Contemporary Art, Udine — Mousse Magazine and Publishing

Racheal Crowther “Gebrauchsmusik” at Galerie Noah Klink, Berlin — Mousse Magazine and Publishing

“FW pt.1” at High Art, Paris — Mousse Magazine and Publishing

Ser Serpas “chandler” at LC QUEISSER, Tbilisi — Mousse Magazine and Publishing

Nolan Oswald Dennis “overturns” at Swiss Institute, New York — Mousse Magazine and Publishing

Shu Lea Cheang “KI$$ KI$$” at Haus der Kunst, Munich — Mousse Magazine and Publishing

“Undercurrents” at Galerie Molitor, Berlin — Mousse Magazine and Publishing

“Lubaina Himid” at UCCA Center for Contemporary Art, Beijing — Mousse Magazine and Publishing

Oh Hi, Desire. Hi, Death: Shahryar Nashat at Istituto Svizzero, Rome — Mousse Magazine and Publishing

Bruce Conner “THREE SCREEN RAY” at Thomas Dane Gallery, London — Mousse Magazine and Publishing

Silvia Bächli “lines are telling stories” at Galleria Raffaella Cortese, Milan — Mousse Magazine and Publishing

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