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Mousse | Contemporary Art Magazine
02.02.2025
“There, we said, and in this place. How are we to think of there? To shelter itself and, sheltered, to conceal itself.
Persona—the outer limits of self, hung on as mask, a bit of artifice. In the paintings of Tom Allen, a mysterious, ineffable plentitude emerges from the folds
01.02.2025
Widely recognized as one of the boldest innovators of postwar American painting, Gilliam emerged from the Washington, D.C. scene in the mid 1960s with works
31.01.2025
The title “My Mama Told Me You Was a Problem Bitch” captures the energy of 90s rap, a genre that reshaped cultural narratives with its sharp wit, raw emotion,
A series of paintings shows simple views of walls seen up close, repeated scenes of the painter’s observation of the flattenings of natural light on different
30.01.2025
Alessandro Teoldi’s practice is an in-depth reflection on the process of collage. New works are constructed layer by layer, beginning with a composition often
A rebellious and non-conformist artist who experienced the events of 1968 as a watershed moment of radical creative and political transformation. It was in
This exhibition strikes up a conversation between the Jean-Jacques Lebel endowment fund and the Centre Pompidou collection. Over 120 works, of varying
29.01.2025
Shi Tao’s “Ten Thousand Ugly Inkblots” (1685) marks a significant departure from the strictly composed, serene landscapes cultivated by the Qing dynasty
A chorus of things crooning:
Experimenter presents Exhale, British-Sri Lankan artist Christopher Kulendran Thomas’ first solo in India at Experimenter – Colaba. Kulendran Thomas’
28.01.2025
“How can one give an account of an irreducible depth of sensibility except by acts that betray it?”—Pierre Klossowski, Sade My Neighbor
Bringing together nearly 100 artworks from 22 artists and 4 artist groups, born between the 1930s and 2000s, and spanning a range of mediums from painting to
24.01.2025
Debt is a broad concept that can be examined from various perspectives, including its emotional, social, historical, and economic dimensions. Symbolically, it
“The human soul is international.” (Bulletin international du surréalisme , Prague, April 1935)
Departing loosely from Wong Kar Wai’s Happy Together (1997), the exhibition enacts a critique of dualism and the questions raised by the dual and its
23.01.2025
Hamad Butt: Apprehensions at the Irish Museum of Modern Art, Dublin, is the first retrospective for the artist Hamad Butt (1962–1994). The
The Michetti Theatre in Pescara, the city’s place of identity, has become, thanks to the work of the Fondazione Zimei, a veritable Kunsthalle for contemporary
An exhibition event conceived in response to the evocative landscape of the Bernese Alps that surround the town of Gstaad in Switzerland.
22.01.2025
Sugihara’s enigmatic canvases emerge from a gradual and ritualistic process of tracing, layering, and effacement often enacted over a period of months or
“Hunter Reynolds / Dean Sameshima: Promiscuous Rage,” an intergenerational pairing of two artists deeply concerned with the investigation and preservation of
21.01.2025
“BloodLetter” is the first institutional solo exhibition by Nigerian-American artist Monilola Olayemi Ilupeju. At its center is the artists' book of the same
Curated by Chiara Nuzzi, the exhibition is part of the research path that the Foundation has been pursuing since 2019, delving into social and cultural issues
A multidisciplinary show curated by Lisa Andreani featuring handicrafts from material culture, artworks, photographic documents and editorial materials,
“Countering Time” brings together new works by four international artists and writers—Lee Weng Choy, Simon Leung, Gala Porras-Kim, and Merve Ünsal—on the
20.01.2025
The French artist Caroline Mesquita is regarded as a key interpreter of contemporary sculpture and its performative qualities. She creates sculptural bodies
19.01.2025
The practice of Styrian artist, choreographer and filmmaker Leon Höllhumer encompasses performative live events, films and exhibition projects. Exploring
18.01.2025
In intensely sexual black and white silver gelatin prints, nude women are tied intricately with ropes in intimate settings often in an expression of both pain
The horizon offers no promise of beginnings or endings. Clouds, heavy with rain yet to fall, hang low over the coast. Night settles as she stands at the edge
Whether the French decadents of the postrevolutionary generation really gathered at Victims’ Balls or not, they fantasized about doing so, passing these
17.01.2025
How can we talk about violence against bodies, objects or nature in regions of conflict? What acts of brutality lie beneath these landscapes? And how to
Sara Sejin Chang’s (Sara van der Heide) artistic practice is dedicated to spiritual evocations, historical research, decentering eurocentrism, and unraveling
16.01.2025
This autumn, with OEEEEEEUUUUVVRE, M Leuven is devoting an extensive solo exhibition to the multifaceted work of Peter Morrens. With a particular scenography
Kobby Adi currently lives and works in London.
After the first two cycles of events held in 2024, also throughout 2025 the biennial program of GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo
“I love the un-film, the almost film, the broken film, the overly long film, the film with visible cracks, the film that reveals its guts. I’m into surprising
15.01.2025
Domestication is often understood as a long-term and mutualistic relationship in which one species provides care and security in exchange for a steady supply
The Meeting is pleased to present “The Joy of Sex”, a solo exhibition by Andy Bennett, featuring a new body of work that takes the form of mirrors etched with
As a child, Ylva shared her life with Snöfrid, her mirror-double. When she became an artist, she brought Snöfrid into the real world via rituals and
14.01.2025
at Galerie Gisela Capitain, Cologneuntil January 11, 2025