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The NNTT’s 2024/2025 season opened with Vincenzo Bellini’s bel canto masterpiece, La Sonnambula (The Sleepwalker), seen on October 12. A co-production with Madrid’s Teatro Real, Barcelona’s Gran Teatre del Liceu and Sicily’s Teatro Massimo di
Bernstein’s Trouble in Tahiti (1952) and A Quiet Place (1983) provide a fascinating glimpse of his stylistic development across some thirty years, seen through the lives of a dysfunctional family. Both works allow insights into
Vengeance and Death. Medea and Cleopatra. These were the themes that provided the opening works to the London Philharmonic Orchestra’s new season that will be devoted to Moments Remembered which will explore the crossroads of
All three acts of Giacomo Puccini’s Madama Butterfly take place in a tiny Japanese cottage on an isolated hill overlooking Nagasaki. Benjamin Franklin Pinkerton, an American naval officer, has purchased this modest dwelling for Cio-Cio
Tchaikovsky’s tragic masterpiece can be presented with the minimum of means and on the smallest of scales, and this new production from American director Tedd Huffman, making his long-anticipated main house debut at ROH, decides
The Wigmore Hall / Bollinger Song Competition has a distinguished list of previous winners, including Marcus Farnsworth, Julien van Mellaerts, Stephan Loges, Ian Tinsdale, James Baillieu, James Middleton and Christopher Gould. Two preliminary rounds (September 7/8)
Bampton Classical Opera brought Giuseppe Gazzaniga's L'Isole d'Alcina (Alcina’s Island) to London in Gilly French's English translation in a production directed and designed by Jeremy Gray with Thomas Blunt conducting Chroma. Written in 1771 and
For the second of two consecutive appearances at the Albert Hall, Jakub Hrůša and his Prague-based orchestra delivered an all-Czech programme showcasing a Proms premiere, a seldom-heard piano concerto and a remarkably unorthodox sacred work
2024 is the centenary anniversary of Puccini’s death, and so it makes sense that the prominent festival of the composer’s operas at Torre del Lago (the Tuscan lakeside resort where he lived) should feature Turandot
The Salzburg Festival’s Felsenreitschule is home to most of its productions of twentieth century opera, just now two Russian operas based on novels by Fyodor Dostoevsky — Mieczyslaw Weinberg’s The Idiot (1987, though premiered in
Shortly before the curtain rose on a splendid production of the evergreen favorite, Pagliacci, we were informed that Glimmerglass Music Director Joseph Colaneri was indisposed and would not conduct. That the performance not only went on