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PINNLAND EMPIRE
17.07.2024
If you’ve been reading my thoughts on this blog recently then you know that I absolutely despise movies made with ironic film twitter/cyni...
04.07.2024
The older I get the more I like to talk about and dissect interesting films that I feel are a mixed bag of qualities that I love, dislike an...
01.07.2024
Bruno Dumont’s latest film is another example of a bored filmmaker throwing something against the wall and seeing what sticks. Everyone from...
21.06.2024
Much of the focus on Jane Schoenrbrun’s I Saw The TV Glow is about the pivotal moment where a young queer person transitions. But the film ...
12.06.2024
Elephant / Elephant / In A Violent Nature However you may feel about Chris Nash’s In A Violent Nature , there’s no denying that the film dr...
01.06.2024
I’ve watched a lot of Ozu films recently and I’m about to make my own films depicting contemporary Taiwan - Hou Hsiao Hsien, TALKING WITH O...
21.05.2024
Frankenstein / Ghost Dog Ghost Dog is now 25 years old! Instead of writing some retrospective think-piece about how it’s a great film deal...
10.05.2024
It’s almost as if Fallen Leaves was tailor-made for the type of Kaurismaki fan that’s been patiently waiting for him to leave behind the ov...
04.05.2024
Hey, everyone. I've released a collection of old and new instrumental music on the Three Dollar Pistol label. This music is inspired by my l...
01.05.2024
It is my personal opinion that Joel Potrykus’ feature debut Ape should be mentioned in the same breath as the early films of Richard Linkla...
05.04.2024
This was originally published for cutprintfilm.com back in March of 2015. But since the site/publication has apparently vanished - I'm posti...
01.04.2024
Halloween II / Juice I know I’m getting carried away but here are some more visual comparisons that didn't make it i n to the initial entry ...
15.03.2024
The Killer has become my comfort movie. It's what I throw on when I can't sleep or just need something to watch. I don’t think it’s a maste...
01.03.2024
Last month we looked at Cowards Bend The Knee - Guy Maddin’s semi-autobiographical love letter to both Canada and some of his personal favor...
21.02.2024
This entry isn't anything significant. I just felt like highlighting some of the standout references and homages from the latest season of T...
09.02.2024
Guy Maddin is a unique mixture of a wholesome amount of Canadian pride and immense self-depreciation due to what he feels is always being in...
02.02.2024
The Shining / Saltburn The biggest praise I have for Saltburn is that Rosemund Pike was finally given a role worthy of her talents. I don’t...
12.01.2024
Meshes Of The Afternoon / Twin Peaks Happy new year! Here’s a collection of some Deren/Lynch comparisons that got left on the cutting room f...
01.01.2024
Mouchette / Trust When I was in college and afterwards, I really came to understand and appreciate what Bresson was doing - Hal Hartley, ...
31.12.2023
Even though I no longer do my annual end of the year wrap-up, I still contribute my list/thoughts to both Wrong Reel & Toronto Film Review. ...
20.12.2023
I normally don’t like when filmmakers poke fun at critics. Their “clap-backs” at negative criticism are either really juvenile or just not v...
07.12.2023
I couldn’t not think of Persona when I first read Samy’s script, in the clear way that it’s such a unique example of a film that pairs these...
01.12.2023
The Firm / Ape Joel Potrykus’ films have the unique distinction of being 100% his own while still being incredibly reference-heavy. Last yea...
21.11.2023
I made an appearance on the DarK Habits podcast to chat about some topics I'm well versed in...
12.11.2023
The main critique/commentary/talking point concerning Fincher’s latest hitman thriller has to do with it being a cynical/somewhat on-the-nos...
04.11.2023
I was first inspired to watch L’humanité after seeing a clip of it in Mark Cousins’s The Story of Film. Once I saw the movie, I was absolute...
01.11.2023
Somewhere between Robert Altman’s Images and Robert Eggers’ The Lighthouse lies Mark Jenkin’s Enys Men – an intentionally ambiguous psyc...
18.10.2023
James, Rob and myself continue our yearly tradition of New York Film Festival talk. Click here or the image above to go to the episode.
I joined the guys over at Popcorn Eschaton to chat about the Frantz Fanon-based films; Luce and Frantz Fanon: Black Skin, White Mask . Cli...
Unlike the other films I saw at this year’s New York Film Festival (click here & here to read), I actually sat with this one for a few day...
13.10.2023
Do not enter Lisandro Alonso’s Eureka with any expectations. If you’ve watched a trailer or read a review – forget anything you think you’re...
Okay. I'm going to say something a little schematic about French cinema. But if we imagine two lines, we can say there is [Jean] Renoir and ...
Scorpio Rising / Barbie Now that some of the hype has died down I wanted to highlight some slightly left field comparisons I found between G...
11.09.2023
The great Kyle Edward Ball was kind enough to answer some questions regarding inspiration, horror, interpretations of feature debut; Skinam...
01.09.2023
Chinatown / Juice There’s nothing left to say about Juice from an analytical standpoint. It’s been dissected up & down in every way possible...
14.08.2023
The great folks over at Alta Journal had me back to write about Robert Townsend's Hollywood Shuffle in an effort to remind folks that whi...
01.08.2023
Sacrifice / The Untamed In this latest entry of the School of Tarkovsky, we take a deeper look at the (possible) visual connections between...
A couple of quick podcast updates... Zebras In America returns with a special episode featuring the legendary John Lurie! Zebras In Ameri...
10.07.2023
The Mirror / Loveless Comparing a modern-day Russian director that makes moody contemplative films to Andrei Tarkovsky feels a little cheap....
01.07.2023
Jeanne Dielman / Evolution We're back with another installment! In this entry we look at Chantal Akerman's influence on everyone from G...