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Texas Monthly
29.03.2025
The revered photographer talks Trigger, Fourth of July Picnics, and “Stardust.”
The record, which was recorded months before the Texas icon died, is an emotional look at mortality.
The Black Pumas guitarist, producer, and songwriter examines the Latin and Tex-Mex elements in Willie’s music, how they got there—and why that makes Willie “the most American thing we have.”
This year’s music fest felt small-time. Next year it will be folded into Film & TV and Interactive. Maybe that’s a good thing. Or maybe it’s a last gasp.
The pride of Odessa recalls the New York recording sessions that produced ‘Shotgun Willie,’ ‘The Troublemaker,’ and “She’s Not for You.”
The indie rock, pop, and folk icon on the craft of songwriting, four-track home recordings, and the counterintuitive wisdom of “Undo the Right.”
“Just outside of Austin” but worlds away, Luck Ranch’s signature festival has found that big-name performances pair best with unrivaled casual vibes.
Armadillo World Headquarters, which closed in 1980, was reborn last year. Now, it’s looking for a new permanent home in a very different city.
01.03.2025
The Austin producer, bandleader, and guitar hero discusses the reasons he loves the early sixties demo for “I Let My Mind Wander.”
Pop-rock band Bleachers and its front man, Jack Antonoff, are very famously from the Garden State, but Dallas-born saxophonist Evan Smith provides the group with some Texas soul.
The acclaimed music critic reframes the duo’s classic 1983 LP as a concept album about easing into middle age.
Abraham Alexander and Black Pumas cofunder Adrian Quesada wrote and recorded “Like a Bird” in Fort Worth and Austin. Now they’re part of Hollywood’s biggest night.
12.02.2025
Curtis McMurtry writes, records, and performs songs that are more Austin than Archer City.
Filmmakers Adrian Arredondo and Myrna Perez talk about getting to know the man at the heart of Tejano Hollywood’s golden age.
The CNN political analyst discusses the two legends’ duet “Heartland,” the farm crisis that inspired it, and a kind turn Willie did for his mom.
The heartland rocker on the origins of Farm Aid, standing up to record execs, and “Funny How Time Slips Away.”
Plus: how Kacey Musgraves, Drake, and more Texas stars fared.
03.02.2025
The San Antonio congressman talks about his relationship to tejano and why recognizing Latino musicians is a matter of national importance.
Mick Fleetwood, the Black Keys' Patrick Carney, and Wilco’s Jeff Tweedy are just some of the artists drawn to the whimsical recording devices.
The icon released a teaser for her NFL Christmas performance in Houston that has the potential to disappoint some Lone Star botanists.
Tejano music legend Linda Escobar talks about building community around conjunto and taking the music across the world.
Visitors can watch Juanga, as he’s fondly called by millions of fans, as he croons, smiles, sashays, and flirts with the audience.
The Queen of the Accordion shares her many musical influences and why she’s never played the way other people want her to.
Singer-songwriter Calder Allen comes from a family of artists, including outlaw-country musician Terry Allen.
Grammy winner Max Baca on playing bajo sexto with the Texas Tornados and carrying on conjunto music for the next generation.
02.02.2025
This year Beyoncé, Post Malone, and other artists blew the gates off a genre Nashville no longer gets to define.
For 25 years, La Primera Dama del Tejano was sure she’d left singing behind. When she returned, last year, an arena of fans was waiting.
The “rocker trapped in an accordion player’s body” talks about switching genres after forty years in tejano music.
Billboard senior editor Griselda Flores on today’s regional Mexican boom and its deep roots in the golden age of tejano.
In Houston for the Beyoncé Bowl, the superstar made one server’s Christmas Eve dreams come true.
Thirty years after she met the tejano icon, Johnny Canales’s widow reflects on the couple’s marriage, their show, and how Johnny still sustains her.
The reigning country queen talks about singing “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” as a little girl—and for Willie’s ninetieth birthday.
In this audio exclusive, the musician, artist, and archivist talks about forging a new path in tejano music.
Little Joe, the "King of the Brown Sound," looks back at sixty years of recording Chicano music for progress, for healing, and for throwing a party.
Billy Strings, of the hottest guitarists alive describes the hole in Trigger, bringing roses to Willie, and a 90-mph live version of “Stay a Little Longer.”
All about the ultimate Texas holiday song thirty years after its release.
‘Cowboy Carter’ is nominated for Album of the Year. If Bey wins, it may be in part because the Recording Academy has some amends to make.
The author of Texas Monthly’s recent feature on Johnny Canales explains how the golden age of tejano set the stage for today’s música mexicana boom.
The Motor City Madman kicked off the 2025 Texas legislative session by playing a few licks on an Austin street corner a block from the Capitol.
27.11.2024