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A Right to Commit Malpractice? | David Cole | The New York Review of Books

If the Supreme Court overturns a law banning licensed therapists from offering “conversion therapy,” it would throw into doubt how states have always regulated professional speech.

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Crossroads | April Bernard | The New York Review of Books

I met a devil at the crossroads. We struck no bargain but walked, arm in arm, westward, for slow miles as starlings flocked. It steadied me, and little by

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Enlightenment writers who proposed ways of improving and even perfecting the human species laid the theoretical foundations of modern racism.

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In its efforts to define religion, modern sociology has also sought to define itself.

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Can the tools of science be used to investigate the mysteries of death?

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The MAGA movement is not fed by conservative ideas but by a nihilistic, apocalyptic determination to stage a counterrevolution against the Sixties, against liberalism, against even democracy itself.

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Mason Bates’s operatic adaptation of Michael Chabon’s The Amazing Adventures of Kavalier & Clay condenses the encyclopedic novel into a story about two outsiders caught between the harsh reality of World War II and their success as creators of a comic book superhero.

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Early modern female writers, who were denied the sort of authority usually needed to write literary criticism, were also freed from its constraints.

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Tessa Hadley’s greatest subject is the unfulfilled promise of womanhood.

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A nineteenth-century novella daringly suggests that there’s no reason the apparently contradictory theories of creationism and evolutionism can’t be reconciled.

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How did Saint Augustine’s African origins and his life among Christians there shape his theology?

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The poem as trick pony rooting in a feed bag full of truth The poem as wonder cabinet stocked with whatever was close at hand The poem as celestial

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Museum Visit: A Maira Kalman painting of Alfred Dreyfus

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Rich Beck’s Homeland charts how four presidential administrations managed to evade moral responsibility for the “war on terror” by hiding behind legality and process.

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The correspondence of Guy Davenport is a syllabus for the twentieth century.

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After open-heart surgery

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Nicolas Boggs structures his moving new biography of James Baldwin around the writer’s most important relationships with men.

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In a 1966 interview, Marcel Duchamp remarked on the propensity of twentieth-century artists to pair up. He gave the examples of Picasso and Braque,

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When I was a kid, at bedtime my dad would tell my brother and me to go “up the wooden hill to see the blanket show.” Ever since then I have had a strong

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The decline of traditional newspaper reviews of new music offers an opportunity to expand our ideas of what music criticism could be.

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A critic’s power lies in the testing of deeply held beliefs about the nature of art and art’s place in the world against the experience of specific artworks.

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Swimming up Argentina’s Paraná River, a non-native fish encountered a landscape being remade at an unprecedented speed.

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The second Trump administration has collapsed the distinction between political and economic migrants. Did it make sense to separate them to begin with?

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“With any new medium, there’s a formative period before the rules are set when you can be part of discovering what the form will be.”

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In her latest performance, the eighty-five-year-old dancer and choreographer Lucinda Childs takes up one of her great influences: the work of Gertrude Stein.

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Often mislabeled as a proto-Zionist oracle of vengeance, Hayim Nahman Bialik speaks to us now instead as a poet of poise under soul-crushing pressure.

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Both the strengths and weaknesses of Miguel Gomes’s films come from their commitment to capturing the porousness of life.

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Since the beginning of Donald Trump’s second term, the First Amendment “has proved a singularly valuable resource in trying to resist assaults on

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Silicon Valley firms like Palantir and Anduril are threatening the foundations of US industrial policy even as they call for reenergizing it. What made their current bid for power possible?

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In 1896 the French writer Alfred Jarry gave a speech introducing his play Ubu Roi, a pioneering work of avant-garde provocation, at the Théâtre de l’Œuvre

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On the evening of August 30, 1918, an assassin shot Lenin twice as he was leaving an armaments factory. The assailant was twenty-eight-year-old Fanny

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In “The Biography of a Painting,” an essay drawn from his Charles Eliot Norton Lectures at Harvard in 1956–1957, Ben Shahn remembers his early years as an

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To the Editors: I’m grateful to Kwame Anthony Appiah for his kind words about What Is Free Speech? The History of a Dangerous Idea and for his serious

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T.S. Eliot prophesied it: “I will show you fear in a handful of dust.” In May 2005, when Peter Balakian visited the monument to the victims of the

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The canvas is flipped from right to left. But the shell is smaller. All morning I thought the shell was the same shell. That it was a seashell. But maybe

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Four hundred years ago Robert Burton concluded his majestic (and majestically unwieldy) treatise The Anatomy of Melancholy with a few words of distilled

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In 38 Londres Street Philippe Sands investigates a Nazi war criminal’s collaboration with the Chilean dictatorship’s system of repression, torture, and murder.

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Sjón’s Red Milk casts doubt on whether radicalization can ever be rationally narrated.

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The “new fusionist” intellectuals are the missing link between nineteenth-century race science, twentieth-century libertarianism, and the contemporary alt-right.

home›The New York Review of Books›Books & Literature

The New York Review of Books - Books & Literature

Chthonic Forces | Mark Lilla, Daniel Drake | The New York Review of Books

A Right to Commit Malpractice? | David Cole | The New York Review of Books

Crossroads | April Bernard | The New York Review of Books

A Baleful Legacy | David A. Bell | The New York Review of Books

Secular Priests | Peter E. Gordon | The New York Review of Books

Looking Behind the Veil | Nitin K. Ahuja | The New York Review of Books

Storm Warnings | Mark Lilla | The New York Review of Books

The Escape Artists | Geoffrey O’Brien | The New York Review of Books

A Brief Literary Emancipation | Clare Bucknell | The New York Review of Books

Bedsit Metamorphoses | Hillary Kelly | The New York Review of Books

Eden of Wolves | Francine Prose | The New York Review of Books

‘Insider and Outsider’ | Josephine Quinn | The New York Review of Books

Critical Theory | Amit Majmudar | The New York Review of Books

On Devil’s Island | Maira Kalman | The New York Review of Books

Pervasive Impunity | Cora Currier | The New York Review of Books

An Epistolary Critic | Wyatt Mason | The New York Review of Books

Cardiography | Ben Lerner | The New York Review of Books

Love’s Anguish and Force and Terror | Darryl Pinckney | The New York Review of Books

Avant-Garde Égalité | Regina Marler | The New York Review of Books

Scraps of Wool | Leanne Shapton | The New York Review of Books

Inside the Music | Matthew Aucoin | The New York Review of Books

Impassioned Ferocity | Jed Perl | The New York Review of Books

When a Salmon Strays | Ernesto Semán | The New York Review of Books

The End of Asylum | Mae Ngai | The New York Review of Books

New Media Rules | Jacob Weisberg, Lauren Kane | The New York Review of Books

‘One Being Dancing’ | Francesca Wade | The New York Review of Books

The Political Poetry of Hayim Nahman Bialik | Peter Cole | The New York Review of Books

Serene and Delirious | Ken Chen | The New York Review of Books

Anyone Can Whistle | Kwame Anthony Appiah, Lula Konner | The New York Review of Books

The War Over Defense Tech | Susannah Glickman | The New York Review of Books

In the Fourth Person | Christopher Tayler | The New York Review of Books

Equality Without Feminism? | Elaine Blair | The New York Review of Books

Becoming Acquainted with America | Nicole Rudick | The New York Review of Books

The Limits of Free Speech: An Exchange | Fara Dabhoiwala, Kwame Anthony Appiah | The New York Review of Books

Questions of Compression | Ange Mlinko | The New York Review of Books

The Swan, No. 20 (Hilma af Klint) | Victoria Chang | The New York Review of Books

Hope Management | Gavin Francis | The New York Review of Books

Pinochet and the Vans of Death | Ariel Dorfman | The New York Review of Books

Stripped of Myths | Jessi Jezewska Stevens | The New York Review of Books

From the Cesspool to the Mainstream | Suzanne Schneider | The New York Review of Books

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