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Alternative-pop powerhouse Alex Ray delivers her most unhinged and cathartic release yet with the explosive new single "BOY YOU AIN'T," dropping August 6 with an accompanying music video premiering August 8. This trap-infused rock anthem showcases Ray's fearless evolution as an artist, blending savage lyricism with genre-defying production that refuses to stay in any lane. Co-written with saywhen and Spencer Scardina of SAINT CLOUD, "BOY YOU AIN'T" is female rage at its most unapologetic – a sco
Freshly signed to the iconic Fiction Records (home to The Cure, Tame Impala, and The Mysterines), 21-year-old Tom A. Smith storms into a new era with “Fashion”—a blistering indie rock anthem packed with razor-edged riffs, sharp lyrical jabs, and that gritty vocal fire fans have come to expect.Co-produced with Barry Hyde (The Futureheads) and mixed by Ali Chant (PJ Harvey, Yard Act), “Fashion” is a brash, confident statement piece. It crackles with youthful urgency while showing off a more refine
In “Good Song,” Ornate addresses what I think is the hardest part of a breakup, moving through the lasting reminders of a relationship, and, as a music lover, for me that is the hardest. What once was soothing music can be turned into a weapon when it reminds you of an ex. What’s perfect about Ornate’s depiction of this issue is he is both creating a song that may be difficult to listen to for someone that is missing someone but also cathartic. With lines like, “Are there any with words that jus
Charlotte Sands crashes into her next era with “neckdeep,” a brat-punk breakup anthem that doubles as a middle finger in mascara. Blending volatile pop-punk, alt-rock ferocity, and a sprinkle of pop sparkle, the track explodes with the kind of chaotic self-expression that could only come from someone pushed way past their breaking point.Opening with a twisted homage to Icona Pop’s “I Love It,” Sands flips the script with lyrics that hit even harder:“You make me wanna take this car and drive into
In her newest single “I Know About Me,” rising indie-pop artist Kel Adore delivers a heartfelt meditation on identity, distance, and the quiet courage of growth. It's a coming-of-age anthem not just for your teens or twenties — but for every moment when you realize you've changed, and the people who once felt closest suddenly feel far away.Written in Beachwood Canyon with Anjali Sebastian and Danny Dash, the song’s warmth and clarity echo with the hush of memory and the bite of reality. There's
In “I’ve Hidden Your Passport,” Eden Rain unpacks the quiet devastation of distance — not the dramatic kind, but the type that sinks in when someone you love is really, truly leaving. Produced by Iain Berryman and set to appear on her upcoming EP Can I Come Too? (out Sept 25), this slow-burning alt-pop ballad feels like a personal goodbye letter sealed in reverb and longing.The song was born from the heartbreak of watching her best friend move from London to Sydney — but its ache is universal. W
With unapologetic swagger and a bass-heavy bite, Your Future Ghost’s “Oh La La (Animal)” is a defiant cry against the boxes society tries to put us in — especially when it comes to powerful women and their sexuality. Equal parts catharsis and celebration, this track leans into its indietronica edge with blistering harmonies, bold synths, and a hook that hits with raw, untamed energy.Rooted in fearless storytelling, “Oh La La (Animal)” explores the demonization of confidence — especially in femme
With his latest single “Ghost In The Shell,” Irish artist EDEN continues to expand the haunting, hyperreal world of his forthcoming album Dark. Following the release of gggiiiiirrrrlllll, this new offering pushes further into abstraction — a shapeshifting reflection on presence, memory, and identity in an increasingly fragmented world.EDEN - Ghost in the Shell (Official Video)The track exists in a liminal electro-pop space, where soft melancholia and glitched euphoria entwine. Built on immersive
Greeting you with electric, energetic vibes, “PRIMARY” is an alluring, enigmatic rock & roll track, (the debut title track of the debut album as a whole), boasting an effervescent blend of sounds and words, providing a Dolby Atmos-esque surround sound feeling straight into your ears.It’s hard not to want to bang your head up and down to a song like this one — don’t let Emily fool you — she’s a hardcore rockstar icon and “PRIMARY,” her debut album, introduces her with a huge splash. The budding m
In “Dogwood Winter,” LA-based artist Kaigara crafts a spellbinding meditation on cycles—of nature, of grief, of time. Rooted in Southern folklore, the track takes its name from a spring cold snap that lingers just as blossoms start to bloom. That tension—between frost and flower, stillness and movement—is where this alternative-folk piece lives and breathes.Kaigara, a classically trained violinist and session musician, blends field recordings, eerie harmonics, and industrial textures into a soun
After years away from the spotlight, Glasgow’s Prides return with “Brand New Start” — a stirring, synth-soaked anthem about grief, growth, and the quiet power of starting over.Blending cinematic alt-pop production with deeply personal lyricism, “Brand New Start” captures the emotional aftermath of heartbreak and loss. Inspired by the windswept melancholy of the Scottish coast, the track aches with vulnerability while still carrying an undercurrent of hope. Prides masterfully weave soaring melodi
Looking for a new song of the summer? “Friends like Lovers” by alt-pop artist Otto Aday is the perfect soundtrack for a sun-soaked drive with the windows down. Written, produced, and recorded by Aday himself, the track highlights his versatility and raw talent. Both evocative and vulnerable, the track explores the emotional complexity of being the “other person” in a love affair and the sting of broken promises.“They knew what they were doing,” Aday said. “I was kept on a piece of string to pull
Tess Clare’s “Never Gonna Not Want More” is a heart-wrenching, late-night confession wrapped in glossy pop production—a song that captures the quiet chaos of wanting something bigger when nothing ever feels quite enough.From the opening line—“Did happy pass me?”—Clare lays bare the emotional toll of ambition, tracing the lines between drive and disillusionment with poetic precision. The track lives in the tension between restlessness and resignation, its shimmering soundscape a bittersweet contr
With “Love Interest of the Month,” iamnotshane kicks off his next act in true main character fashion—equal parts charming, chaotic, and existentially romantic. The L.A.-based alt-pop auteur blends synth-laced sarcasm with post-punk nostalgia in this dreamy, deadpan ode to fleeting obsessions and forever feelings (until next week, at least).Built on a bed of airy 80s synths and tongue-in-cheek lyricism, the track pulses with the energy of a disco heartbreak, filtered through a filter of Shakespea
Seafret’s latest collaboration with the legendary KT Tunstall marks a stirring new chapter in their ever-evolving journey. “Five More Seconds” is a snapshot of emotional brinkmanship — the kind of moment where time slows, consequences loom, and one decision can change everything.Born out of an impromptu studio session, the track is rich with creative spontaneity and depth. Seafret’s signature blend of introspective indie-folk and swelling emotional undercurrents meets Tunstall’s unmistakable voc
There’s nothing worse than realizing that due to your personal growth, you are leaving others behind. Eden Rain beautifully captures this complicated feeling of dread, guilt and regret in their most recent single ‘Growing Pains.’ As Eden previously opened for one of my favorites, Lola Young, on tour, I knew I was going to love her work. She has this lovely cadence in it almost a drawl like she herself is pushing herself forward with trouble. My favorite songs are melancholy and difficult as they
“Go trip over a knife.” That’s the opening voice memo that sets the tone for “I’M DONE,” the fiery, fed-up breakup anthem from See You In PARIS — and from there, it only gets sharper. Blending retro-soul attitude with modern electro-pop polish, the track channels the spirit of Amy Winehouse, 60s girl groups, and your last fed-up text thread into something smoky, soulful, and absolutely unbothered.“I’M DONE” struts with cinematic flair, fusing doo-wop harmonies and throwback grooves with razor-sh
With "Timezones," PEPTALK and ELLES deliver a warm-hearted pop anthem that captures the bittersweet ache of homesickness while chasing big dreams across the globe. Written after a serendipitous session sparked by an Instagram DM and a literal road trip in Australia, this collab radiates both spontaneity and heart.Set against a shimmering synth-pop backdrop, “Timezones” balances escapist euphoria with emotional gravity. ELLES’ globe-trotting perspective pairs beautifully with PEPTALK’s signature
With “Trigger,” Dutch-Surinamese singer-songwriter néomí delivers another heartbreakingly honest moment of clarity—raw, restrained, and deeply resonant. Carried by her signature whisper-soft vocal delivery and poetic lyricism, the track is a gut-wrenching meditation on the moment you realize love alone isn't enough.Set against sparse, delicate instrumentation that lets every word breathe, “Trigger” finds its power in quiet devastation. It’s a song for the in-between — the purgatory of knowing so
Harvey Brittain is back with his sixth single this year “obsessed”. An indie-pop banger just in time for the summer, “obsessed” came to be due to a messy situationship; something we can all relate to. Harvey states the relationship felt doomed from the start and he wanted the production to match that energy so he built it around an ambient guitar loop and a warm pad, while the outro had a distorted guitar and synth that melts everything together. Brittain is a twenty-three year old singer-songwr
With “Sugar In His Tea,” Irish alt-pop artist Ocean Tisdall strips everything back—leaving only his voice, his heartbreak, and the quiet devastation of loving someone who no longer stays. It’s a vulnerable, gut-wrenching ballad that feels like reading someone’s diary out loud, trembling hands and all.Departing from the slicker pop production of his earlier releases, “Sugar In His Tea” marks a raw acoustic return that foregrounds Tisdall’s songwriting and vocal depth. There’s a quiet, aching stil
Elijah Blake’s new single “Work It Out” is an instant mood-lifter—dripping with funk, rhythm, and undeniable charm. Merging elements of dance-pop and indie funk, the track is effortlessly cool, giving us the soundtrack to warm nights, open windows, and moments that don’t need fixing—just feeling.From the first guitar lick, “Work It Out” leans into groove with confidence. It’s a track built for movement—whether it’s a full-on dance break or a subtle head bob as you cruise down the coast. Blake’s
On her latest single, “Saturn Return,” Anna Josephine invites us into the headspace of a young adult caught between cosmic upheaval and everyday repetition. Wrapped in lush synth textures and bittersweet melodies, the song is a dreamy, confessional anthem that captures the emotional whiplash of your twenties—where boundless ambition collides with the slow burn of reality.The title references the astrological event that marks a person’s late twenties, when Saturn returns to the same position it o
Pop-rock newcomer Kel Adore delivers a bold, beautiful declaration of self on her latest single “Late Bloomer.” With soaring guitars, pounding drums, and just the right touch of ethereal synths, the track pulses with the kind of electric energy that makes you want to run headfirst into your own becoming—no matter when it happens.Aptly titled, “Late Bloomer” is an anthem for anyone who’s ever felt like they’re arriving behind schedule. Whether it’s about finding your voice, your people, or your p
With their electrifying new single “CRY,” Los Angeles brother-duo the DRIVE deliver an anthem that transforms emotional release into something communal and empowering. Blending synth-pop textures with indie rock grit, “CRY” is a shimmering, heart-thumping call to feel fully—and feel together.Far from being a sad song, “CRY” reclaims vulnerability as strength. The track pulses with energy from the first beat, carried by Isaac Griffin’s tight drumwork and elevated by Daniel Griffin’s soaring vocal
Some songs arrive like lifelines—gently, honestly, and right when you need them. “Jesus and John Wayne” is one of those rare tracks. Born from the pages of Kristin Kobes Du Mez’s explosive book of the same name, the song unpacks the painful intersection of faith, identity, and politics with striking vulnerability and nuance. googly eyes, Joy Oladokun, and Allison Ponthier bring their voices together to create something that feels at once intimate and monumental.The production is soft and atmosph
“Just Love Me” is a shimmering, sky-reaching EDM slow burn that explodes into color just when you need it most. Rafael Manga and Fabio Romagnoli have crafted something that doesn’t just sound like a festival anthem—it feels like one. It’s cinematic. Euphoric. The kind of song that belongs under a midnight sky at EDC, surrounded by strangers who all suddenly feel like family.Opening with haunting, emotional synths and a raw plea for love, the track builds layer by layer into a glittering, pulsati
With “Emilie,” Charles Costa delivers a beautifully restrained storm—a track that shimmers on the surface while carrying a deep emotional weight just beneath. Anchored in soft indie rock textures and carried by Costa’s unmistakably tender vocal delivery, “Emilie” feels like a secret whispered on a long drive, laced with longing, clarity, and quiet resistance.Though it floats in on a wave of lightness—dreamy guitar lines, lush arrangements, a production style that invites exhale—“Emilie” is anyth
STARR isn’t just making music—she’s building an empire of femme fatale fantasy, and “Vampire Hotel” is her most intoxicating offering yet. Blending sultry alt-pop with gothic rock elements, STARR reimagines romantic obsession as an eternal, vampiric hunger—desire that doesn’t ask permission and doesn’t let go. It’s dark, sexy, and theatrical in all the right ways.The song explores the duality of wanting someone so badly that it becomes a kind of power play. “Vampire Hotel” positions the relation
“Paradise” by SOMA is a dance pop/deep house phenomenon for people who are giving up on or fighting life. The Swedish artist explores the melodic deep house genre landscape. Paradise can mean freedom, happiness, world peace, a drink by the beach, or an iced matcha. In this song, SOMA describes paradise as sanity in an insane world, or a calm in the middle of a storm. The music builds a race against time, and the buildup makes the whole journey worth it. The lyrics tell a powerful, inspiring stor
Natalie Reigo may be only 18, but she delivers emotional weight and vocal maturity well beyond her years on her newest release, “It Was You.” Blending polished dance-pop textures with the vulnerability of R&B and soul, the track is a glittering heartbreak anthem that stings in all the right ways. Reigo’s voice is magnetic—effortlessly gliding from softness to strength, pulling us into the story of falling too hard for someone who didn’t deserve it.There’s a refined elegance to the production, a
With “Catch Me If You Can,” Nadia Younes launches into 2025 with fearless energy and a sound that’s as confident as the message it delivers. A bold blend of electro-pop shimmer and R&B soul, the track pulses with the kind of contagious self-assurance that makes you want to dance in your living room and walk a little taller all day.From the jump, Nadia’s vocals glide over a lo-fi beat with style and control, never overpowering the production but always leading it. There’s a lived-in feel to the p
There’s a rare kind of magic that happens when two songwriters are perfectly in sync—not just creatively, but spiritually. Luna Keller and Thomas LaVine prove that kind of alchemy is real on “White Lily,” the second track in their flower-themed indie folk series. Where “Phlox” bloomed with poetic melancholy, “White Lily” feels quieter, more inward—a peaceful exhale that invites the listener to pause and root themselves in memory, nature, and healing.Inspired by the white lilies that grow wild ne
With “Carry My Home,” Jess Kerber delivers a final preview of her debut album that feels as intimate as a handwritten letter and as grounding as bare feet on Southern soil. Framed by gentle acoustic fingerpicking and the soft patter of rain, the track doesn’t demand attention—it earns it, quietly pulling you into its world with disarming sincerity.Jess Kerber - "Carry My Home" (Official Video)Kerber’s voice is front and center here, unfiltered and radiant. She doesn’t overextend or embellish—she
“PINUP” isn’t just a song—it’s a confrontation. Gabriella Zauna turns the mirror on herself and the world around her, emerging with a dark-pop masterpiece that captures the weight of modern womanhood with both vulnerability and grit. Wrapped in ethereal textures and pulsing electro-pop production, the track tackles the pressure to meet impossible standards—and dares to push back.Zauna’s voice floats over the beat like smoke: haunting, honest, and razor-sharp. Her lyrics are deeply personal yet u
In the contemporary lexicon of millennial exhaustion, few sonic territories prove as treacherous as the intersection between collective burnout and individual rebellion. Jessica Vaughn's "I Quit for Summer" navigates this cultural minefield with the precision of someone who has learned to weaponize joy against systemic depletion, constructing an electro-pop manifesto that transforms workplace suffocation into poolside liberation.The track operates as architectural rebellion – Dresage's productio
With her latest single, It’s Never Easy (Leaving Someone Behind), Surinamese-Dutch singer-songwriter néomí offers a hushed and heart-wrenching meditation on the quiet pain of parting. The track unfolds with gentle acoustic textures and ambient stillness, letting her delicate voice guide listeners through the emotional weight of choosing to let go. It’s not the chaos of a breakup that she captures, but the haunting stillness that follows—the slow untangling of two lives once closely bound. There’
There's something brutally honest about the way Lara Simonot opens "Scared" – her voice dry and unvarnished, like she's talking to herself in the bathroom mirror after crying. It's the sound of someone who's done with pretty packaging around ugly truths, and that rawness immediately pulls you into her world.The track starts as sparse piano balladry, but this isn't your typical heartbreak song structure. Those spaces between the keys feel intentional, like pauses in a conversation where you're de
MKSTN’s “Adorn” is an indietronica and chillwave combination perfect for those of us who cannot exactly place what they are feeling, but know they are feeling something…just in time for a moody and introspective summer. This track calls for the listener’s attention immediately as an isolated, submerged leading vocal sounding as if it is six feet deep in an ocean starts off the song. There is a dreamlike quality to the vocal delivery, a little bit breathy and distant. This emptiness is not left t
Emerging indie rock powerhouse Zoe Kilgren Band has announced their vibrant new single "Girls in Skirts," set to drop on May 23, 2025. This release captures the electric atmosphere of LA summertime while delivering a raw emotional narrative that's become the band's signature.Born during a sun-soaked bus ride through Los Feliz, "Girls in Skirts" channels the unmistakable energy of an LA spring coming into bloom. Frontwoman Zoe Kilgren transforms everyday observations of "picnic blankets and sunba