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Podcast. Episode 10: Maja Smrekar about transpecies motherhood, taboos and a post-human world – We Make Money Not Art
In this episode, Maja talks about her research into human/dog/wolf co-evolution; the possibility to create a hybrid of the human and the dog species; her experiments with biologically manipulating …
Podcast. Episode 9: Pinar Yoldas about AI leaders, extra sexual organs and dealing with gloomy futures – We Make Money Not Art
In this episode, the conversation goes from “Wouldn’t it be fun to have extra sexual organs?” to “Why wouldn’t a loving and cute robot be better at ruling over the lives of …
Podcast. Episode 8: Sanela Jahić about the uncomputability of the artistic mind and the relationship between AI and authoritarianism – We Make Money Not Art
Can everything – including vision, flexibility, imagination and other skills often associated with creative practices – be turned into data? Can you automate artistic processes and gestures? And ho…
Podcast. Episode 7: !Mediengruppe Bitnik about social autonomy, new grey zones and excellent customer service on the darknet – We Make Money Not Art
In this episode, Carmen and Doma talk about the need for social autonomy, the emergence of new grey zones, police confiscating bots, excellent customer service on darknet markets. And more.
Podcast. Episode 6: Evan Roth on internet submarine cables, ideologies embedded in landscapes and connecting without interacting – We Make Money Not Art
Evan Roth talks about his adventures to find and film the coastal sites where the internet submarine cables reach the land, the beauty of sharing and connecting in online space without interacting,…
Theatre of Dis-Operations. (Act I. A Disarmament). Disobedience, sabotage and desertion – We Make Money Not Art
The anti-military tactics and subversive procedures presented in the show range from sabotage to deconstruction of military symbols, from desertion to grassroots resistance against economic macrosy…
Podcast. Episode 4, Jill Magid about interacting with spy services, bureaucracies and law-enforcement agencies – We Make Money Not Art
During the conversation, we talked about her adventures with the Dutch secret service, with the New York City Police Department, CCTV operators in Liverpool and the art historian who hid Luis Barra…
AI Snake Oil. What Artificial Intelligence Can Do, What It Can’t and How to Tell the Difference – We Make Money Not Art
While acknowledging the potential of some AI, AI Snake Oil uncovers misleading claims about the capabilities of AI and describes the serious harms AI is already causing in how it’s being built, mar…
The Biennale de l’Image Possible. Portrays of a world entering unruly territories – We Make Money Not Art
Gender identities, tensions between natural and artificial, confusion between real and virtual, climate anxieties, transhumanism, etc. The BIP biennial portrays the world entering unchartered, unru…
State of Emergency. How do you document colonial abuses when archives have been destroyed? – We Make Money Not Art
Photographer Max Pinckers collaborated with Mau Mau war veterans and Kenyans who survived colonial atrocities to give a visual existence to the fight for independence from British colonial rule in …
True Colors. Sabotaging the deceitful ecological narrative of the automotive industry – We Make Money Not Art
Inspired by the Dieselgate scandal, the work recontextualizes the industry’s own visual marketing tools to reveal the stark contrast between its professed environmental narrative and actual practic…