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Discover Latest #Intellectual News, Articles and Videos with Contenting
1. "The Rise of Artificial Intelligence: What It Means for Humanity" by David M. Daley, The New York Times 2. "How AI Will Impact the Future of Work" by Jeff Desjardins, Visual Capitalist 3. "AI Is About to Revolutionize Healthcare" by John Wilbanks, Wired 4. "AI and Robotics Could Reshape the Global Economy" by James Manyika et al., McKinsey & Company 5. "The Ethics of Artificial Intelligence" by I. Glenn Cohen, Harvard Law Review 6. "The Impact of AI on Education" by Heather Roff, IPsoft 7. "AI and the Future of Law" by Mark A. Lemley and Robert S. Katz, Stanford Law Review 8. "The Impact of AI on Society" by Katja Grace et al., Oxford Internet Institute 9. "The Role of AI in Financial Services" by Sankar Krishnan and Pratim Sengupta, PwC 10. "The Role of AI in Fighting Climate Change" by Evgeny Morozov, The Guardian
Call for Winter Images! – Kultivate Magazine
Kultivate is seeking winter images for our December 2020 issue! Please submit your winter image to our Flickr group: https://www.flickr.com/groups/kultivateartphotography/pool/ All images must be of your own intellectual property, be moderate in rating, and the deadline to submit is December 10, 2020.
Sampada Aranke on “Citing Black Geographies” - Artforum International
A VITAL REFLECTION of deep research, citations are meant to acknowledge an intellectual tradition or to credit scholarly expertise. They’re a way of placing oneself in conversation with a community. Citational engagements are collective in form, engendering a sense that an author is not a singular authority but rather part of a transhistorical network. This kind of approach underscores the processual modes of theorizing that are at their best enlivened by the various agreements and disagreements that emerge from thinking together. This citational spirit is brilliantly mobilized in “Citing Black
Twenty-six artists reflect on 2022 - Artforum International
To take stock of the past year, Artforum asked an international group of artists to select a single exhibition or event that most memorably caught their attention in 2022.TIONA NEKKIA McCLODDENRhea Dillon (Gladstone Gallery, New York) I avoid openings. The neglect of the art that can occur is too painful. Yet there I was, staring at this object leaning tenderly against the wall, its wood grain perfectly exposed. African mahogany. A drawer. A frame. The spade with “hearts.” The work has such an intellectual and formal elegance that it quieted the entire room. Through Dillon’s stealth use of
Travis Jeppesen on the 59th Taipei Golden Horse Film Festival - Artforum International
ALTHOUGH THE GOLDEN HORSE traditionally serves as the most coveted launching pad for Chinese-language filmmaking, this year, because of political tensions that have boiled over into official policy, there was a noticeable absence of films from mainland China. Given the brain drain currently afflicting the major cultural capitals of the mainland and Hong Kong, traditionally the intellectual beating heart of the region, it seems obvious that Taiwan, with its rich and dynamic cultural landscape—including an outsized filmmaking tradition that can comfortably stand its ground alongside South Korea
An Intellectual Ark: Dominique Gonzalez-Foerster, “Panoramism and the Abstract Sector” at Esther Schipper, Berlin — Mousse Magazine and Publishing
As the lights go out in the top-floor space of Esther Schipper’s Berlin gallery, the visitors’ chatter grows a little quieter. Some people audibly suck in
Amy Taubin on Jean-Luc Godard - Artforum International
QU’EST-CE QUE LE CINEMA? Posed in the title of André Bazin’s multivolume collection of essays, this question guided Jean-Luc Godard through more than sixty years of filmmaking, yielding the most beautiful, provocative, tender, irritating, glamourous, exhilarating, and emotionally and intellectually complicated works in the history of motion pictures, supreme among them the wildly personal, decade-in-the-making Histoire(s) du cinéma (1988–98).To ask “What is cinema?” is to focus attention—perceptual, kinetic, associative—on the object in question rather than on peripheral considerations such as
Travis Jeppesen on Gao Xingjian - Artforum International
That the Nobel Prize–winning novelist/playwright Gao Xingjian is also an accomplished painter should seem less remarkable when his work is viewed within the Chinese tradition. The division between word and image was less severe in ancient China than in the West, and the literati who formed the Chinese classical canon tended to be equally adept at painting, poetry, and the art form that so sublimely combines the visual with the written: calligraphy. Gao was born in 1940 and personally experienced the tumultuous events of late-modern China up until his exile in 1987. Like that of many intellectuals