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Nude is an upcoming American drama film written and directed by Mike Figgis. The film stars David Fincher, Anthony Hopkins, Robert Downey Jr., and Jennifer Aniston. The film tells the story of a photographer (Fincher) who is hired to take pictures of a nude model (Aniston). The film follows the photographer as he explores the model's body and the impact his photographs have on their relationship. It is set to be released in 2021. Nude is Figgis' first feature film since his 2000 drama Timecode. He has since directed several documentaries and television series, including the drama series The Red Road and the documentary The Lost Sons of Africa. Nude has been praised for its cast and subject matter. The film has been described as a bold exploration of art and sexuality, and has garnered positive reviews from critics. The film has been compared to other films about artists and their subjects, such as Vincente Minnelli's Lust for Life and Peter Weir's Picnic at Hanging Rock. In addition to its theatrical release, Nude will also be released in select theaters and on digital platforms such as iTunes, Amazon Prime Video, and Google Play. Nude has been
Philip Pearlstein (1924–2022) - Artforum International
Philip Pearlstein, whose planar arctic nudes of the 1960s revitalized realistic figure painting for a new generation, died December 17 in New York at the age of ninety-eight. An accomplished illustrator by his teens, Pearlstein flirted with the emotional hues and geometric shapes of Abstract Expressionism before diving fully into figuration with his disaffected, antisexual nudes and paving the way for such twentieth-century notables as Jack Beal, Alex Katz, and Alfred Leslie. “A typical Pearlstein nude, in which the genitals are rarely as obvious as in any of [Larry] Rivers’ earlier nudes,
Cal Revely-Calder on Luigi Pericle - Artforum International
Luigi Pericle left the world behind in 1965. He was riding high on two waves: His cartoon character, Max the Marmot, had been serialized in Punch and was big in Japan, and—thanks to a well-connected admirer, a young Englishman named Martin Summers— his abstract paintings had been touring Britain’s civic galleries. But he put a stop to both careers. Just shy of fifty years old, he moved to the Swiss community of Monte Verità, renowned for decades as a home for theosophists and utopians who danced in the nude. There, he worked until his death in 2001 on paintings that only visitors saw; these
Corban Walker at Crawford Art Gallery - Artforum International
For the exhibition “As Far as I Can See,” Corban Walker stripped the Crawford Art Gallery’s permanent collection from its main three rooms, whose walls he painted a neutral off-white. Within this denuded interior architecture, Walker arranged four freestanding sculptures ranging in size from relatively modest to the dominant Observation, 2012. The latter was accompanied by Beyond the Rail I–IX, 2022, a series of mirrors buttressing the venue’s low-slung panels and railings. Overseeing this blurring of exhibition and installation was TV Man, 2010-2022, a video portrait of the artist encased in
Nguyễn Quốc Dũng at Hatch Art Project - Artforum International
Nguyễn Quốc Dũng’s oil-on-canvas paintings record the intricate mesh of quotidian intimacies among the people who dwell on the margins of Ho Chi Minh City. The artist provokes subtle confrontations by foregrounding often “invisible” subjects, such as transgender sex workers and migrant laborers.The exhibition “The Lives of Others” derives from Nguyễn’s continued interest in depicting these oft-sidelined individuals within their most personal settings. In Transgender life, 2017, two life-size nude figures emerge through an intermittent flow of flesh-toned microstrokes atop broad swabs of pastel
Johanna Fateman on Martha Edelheit - Artforum International
In Martha Edelheit’s groovy scenes of erotic languor—featuring nudes in unselfconscious poses with intent or with distant facial expressions, usually basking in the sun—the pulsing undercurrent of optimism is most seductive. That, and the THC-Technicolor extravagance of her realist style. The ninety-one-year-old artist’s exhibition here, “Naked City, Paintings from 1965–1980” which included several monumentally scaled works, spanned a period of social upheaval, when the artist labored with visionary feminist vigor. She rendered slack dicks and unidealized bodies in detail, holding the sexual