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The song has been featured in a number of articles and videos, including reviews of the song by various music outlets such as Pitchfork and The Line of Best Fit, as well as a music video released by the band. The video was directed by the band's frontman, Kevin Parker. The video features the band performing the song in a desert landscape, with various strange and surreal imagery throughout. The video has been praised for its unique visuals and has been viewed over 3 million times on YouTube. Additionally, the song has been featured in a number of TV shows, films and advertisements, such as Netflix's The End of the F***ing World and the video game FIFA 17.
https://youtu.be/wicDXPkTJYg Savour the warmth of indie-folk in Charlotte Morris's newly released visuals for "both sides now". The song arrived as part of her latest album, both sides, which dropped at the beginning of May. "both sides now" is actually a cover of a song originally done by Joni Mitchell. The visual represents the evolution of…
Photo / Connor Phillips https://www.youtube.com/watch?v=JRSxZEUvVnc "These songs really encapsulate the tone and themes of the new album, but from different perspectives. Where ‘HYPERYOUTH’ is a frenetic, high energy, and sample-heavy celebration of the music and artists we continue to be inspired by, ‘LIVE RIGHT’ is anthemic and showcases the exciting-but-complicated relationship we have with growing…
Photo / Ewen Spencer https://www.youtube.com/watch?v=JhAqvMxo49I “'Perfect Crime' is written about that scary bit of time just before you go back into the dating world and you need to just bite the bullet and dive into something. It's kind of like my version of a mantra or doing positive affirmations in the mirror...this song is basically…
LOS ANGELES, CA- Los Angeles-based Colombian singer-songwriter Jona Camacho has always existed in that sweet spot between soulful intimacy and intellectual curiosity. But on his latest single “SOFÍA,” he delivers one of his most elegant works yet. It’s a slow-burn that pulls from bolero,...
A memorable pop sound with a radiating sense of adoration, “Extraordinary” comes via Deep Trees, the project of songwriter and multi-instrumentalist Summer Redko. “Look up and see all the stars align,” Redko’s vocals let out amidst glistening synths and bouncy bass, absorbing in a synth-fronted initial foray — until the rock-edged “try to run … try to hide” hookiness. “Extraordinary” consumes in its dynamic guitar and synth interplay, also delighting in its melodic vocal entrancement — all combining for a heartfelt and infectious result. The track is described as “about the headrush of meeting someone unforgettable — when your emotional
Another memorable track from Luke Sweeney, “Subsidize Our Rent” pairs an playful rock pulse with lyrical insight on true success — playing as a tribute to the working class, celebrating small moments of happiness and connection through music and shared experience. “It’s a little lonely here at the top,” Sweeney’s vocals ring out, referencing the soulless existence of billionaire sycophants, while clanging keys and bluesy guitar touches bolster into the “big time events” rock-friendly hook. “Subsidize Our Rent” is another songwriting success from Sweeney, impressing on past tracks like “Probably Me” and his gorgeous album Rishi. — This and other
Breathing Under Water is the captivating debut album from Start Forward, the project of Miami-based multi-instrumentalist, producer, and songwriter Joshua Sturtevant. The project’s immersive sound draws from ’90s alt-rock staples like Smashing Pumpkins, Pearl Jam, Radiohead, and beyond — acts that Sturtevant grew up with. The album melds memorable rock productions with relatable lyrical introspection, capturing a sense of “being overwhelmed and needing to surrender in order to move forward,” per Sturtevant, who based the album title on a poem he read during a time of personal tumult. The opening title track aptly exudes a meditative, atmospheric rock charm —
Stirring in its range of twangy guitars, harmonious vocals, and string-laden balladry within a folk/rock intertwining, The Dust Up of the Century is the enamoring debut album from Emma Falk Dennis, an artist based in Southern California, and originally from Derbyshire, England. Production from David J (Bauhaus/ Love and Rockets) infuses Dennis’ fantastic songwriting within a warming, atmospheric glow. Amongst the numerous highlights, “Neon” ascends quickly from sporadic strings, piano, and guitars into a rollicking energy — taking off especially upon the “marks I made” vocal ruminations, where the instrumentation comes together with a breezily emotive passion. Dennis’ suave vocals
A vibe-y pop success from RIMENY, “Matt” invokes an ’80s spirit with its punchy guitars, clanging piano, and bass-y ruminations — propelled further by magnetic, melodic vocal immersion. “A love song, for best friends,” RIMENY describes the track. “Matt used to pick me up in an old, red Volkswagen Golf. That car defined him for an era of our relationship, and we spent a lot of time growing up in it.: “Talk about the girls you know, that we wanna get to know better,” the vocals reminisce on youthful rides home, traversing into hooky melding of bouncy piano and ardent