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Vocal is a technology platform that makes it easier for individuals to create and distribute digital content. It allows anyone to become a content creator, with tools to create and share stories, images, audio, and video. It is particularly popular among independent creators and brands looking to reach a larger audience with their content. Vocal's platform includes tools to help creators create, optimize, and distribute their content, as well as tools to track analytics and monetize their content. It also provides a community of creators who can engage with each other and share their work. Furthermore, Vocal hosts a variety of original content as well as syndicated content from its partners. Vocal has been featured in many news articles, as its platform has become increasingly popular for content creators. Many of these articles have highlighted the platform's features, such as its ability to reach a larger audience and its comprehensive set of tools for content creation, optimization, and distribution. Other articles have discussed the success stories of content creators on the platform, as well as the ways in which Vocal is helping to democratize the digital content industry. In addition, there are a variety of videos available online, from tutorials on how to use the platform to interviews with successful content creators.
Hungarian artist Áron Porteleki presents a deeply memorable sound across Smearing, a debut solo studio production that serves as a “sonic manifestation,” of the contemporary dance piece ‘Cryptic Bodies.’ Smearing features words by Porteleki and Patrik Kelemen, who conceived and choreographed ‘Cryptic Bodies’ in 2021. The instrumentation is widely varied, from intensely expressive metal and alt-rock pursuits to gentle ambient explorations that emphasize space and vocal refrains. The opening title track struts an initial barrenness, wherein the vocals exude a titular repetition that flows seamlessly into the subsequent “Womb Of Drum.” Ruminating percussive fragments and booming blares combine for an
Inspired by autumn and casting a glowing warmness reflective of such, “Summer’s Daughter” is a memorable new single from Brooklyn-based artist Arlen Hart Ginsburg. References to sunlight exude visions of brightness peaking through autumn trees, while lyrical musings on togetherness send chills as prancing piano and comforting orchestral components intertwine. Guitar twangs and alluring vocal layers meld beautifully on “Summer’s Daughter” with a chamber-folk shimmering, producing a resonating success. Ginsburg notes that, in addition to autumn, the track is inspired by “how the light of summer continues to be present in our lives as we move into the darker months,
“Nokonoshima” enamors with a melodic sense of escapism, showcasing an evolving rock and glistening pop introspection from Tiger Beach. Glistening guitars weave in sporadically amidst a steady acoustical backing, as vocals establish a waterside sense of contemplation — “looking out at the ships as they all float across the bay,” — amidst a sense of clinging onto paradise, even as the sun begins to set. The Raleigh, NC-based band conclude the track with an exuberant array of vocal layers and chirpy guitars, with shades of The Cure within the “think you’ll be mine,” aspirations. “Nokonoshima” is a winner. — This
A riveting single with palpable rhythmic momentum and a delectably chilly soundscape, “Queen of Carthage” is a recent track from Taroug, the project of German artist Tarek Zarroug. “Queen of Carthage” represents the second single from Taroug’s upcoming debut album, Darts & Kites, set to be released on Denovali Records. Vibrant percussive momentum halts momentarily as the debonair vocal presence emerges. A shimmering synth character and frolicking jangle bolster the textured soundscape thereafter, reminding of Burial as chilly guitars align with a ghostly crackling. “Queen of Carthage” is abundant in atmosphere and structural momentum, marking a certain success from Taroug
In April 1973, “Motown” label released “Ma”, the sixth Rare Earth studio album. It was recorded in 1973, and was produced by Norman Whitfield. Personnel: Ray Monette – vocals, lead guitar Mark Olson – vocals, keyboards Gil Bridges – vocals, flute, saxophone Mike Urso – vocals, bass guitar Peter Hoorelbeke – lead vocal, drums, percussion Edward Guzman…
In April 1972, “Harvest” label released “Mediterranean Tales (Across the Waters)”, the debut Triumvirat studio album. It was recorded in January 1972, at “Electrola Studios” in Cologne, Germany, and was produced by Rainer Pietsch. Personnel: Jürgen Fritz – vocals, chorus, Hammond B3 organ, electric piano, Grand piano, Moog synthesizer Hans-Georg Pape – lead vocals, chorus, bass Hans Bathelt –…
On April 25, 2006, “Warner Bros” label released “Louder Now”, the third Taking Back Sunday studio album. It was recorded September 2005 – January 2006, at “Barefoot” in Los Angeles, and was produced by Eric Valentine. Personnel: Adam Lazzara – lead vocals Fred Mascherino – vocals, lead guitar Eddie Reyes – rhythm guitar Matt Rubano – bass guitar, twelve-string…
In April 1977, “Mercury” label released “Future Games”, the ninth Spirit studio album. It was recorded in 1977, at “Studios 70” in Tampa, Florida, and was produced by Dr. Sardonicus. Personnel: Randy California – vocals, guitar, bass, engineer Ed Cassidy – drums, percussion Joe Kotleba – synthesizer Terry Anderson – backing vocals Blair Mooney – engineer Wally…
In April 1969, “Columbia” label released “Soft and Beautiful”, the fifteenth Aretha Franklin studio album. It was recorded in July 1964, and was produced by Clyde Otis. Personnel: Aretha Franklin – vocal Belford C. Hendricks – arrangements, conductor Stan Tonkel – engineer Stan Weiss – engineer Thomas B. Allen – painting Linda Solomon – liner notes…
Accept unveil lyric video for new single "Frankenstein" German rockers Accept consisting of guitarist Wolf Hoffmann, lead vocalist Mark Tornillo, guitarist Uwe Lulis, bassist Martin Motnik and drummer Christopher Williams have unveiled a lyric video for their latest single “Frankenstein” from their upcoming studio album Humanoid, which will be available via Napalm Records on April