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Vocal is a technology platform that makes it easier for individuals to create and distribute digital content. It allows anyone to become a content creator, with tools to create and share stories, images, audio, and video. It is particularly popular among independent creators and brands looking to reach a larger audience with their content. Vocal's platform includes tools to help creators create, optimize, and distribute their content, as well as tools to track analytics and monetize their content. It also provides a community of creators who can engage with each other and share their work. Furthermore, Vocal hosts a variety of original content as well as syndicated content from its partners. Vocal has been featured in many news articles, as its platform has become increasingly popular for content creators. Many of these articles have highlighted the platform's features, such as its ability to reach a larger audience and its comprehensive set of tools for content creation, optimization, and distribution. Other articles have discussed the success stories of content creators on the platform, as well as the ways in which Vocal is helping to democratize the digital content industry. In addition, there are a variety of videos available online, from tutorials on how to use the platform to interviews with successful content creators.
A delightfully breezy pop sound shows on zukrassverliebt “Way Too Hot,” invoking an island-set escapism in its glistening guitars and serene rhythms. The Hamburg, Germany-based artist infuses heatwave metaphors alongside admissions of falling for someone who is “way too hot” — dazzling melodically throughout, from the crawling bass-friendly bridge to the radiant flourishes of guitar and vocal interplay. The track opens with an inviting, playful appeal. “She is way too hot,” a magnetic vocal refrain commences amidst balmy, lush guitar tones. Pulsing rhythms and vibrant vocal layers arrive thereafter, lyrically depicting a sense of adoration amidst “heat is rising through
A beautiful folk sound — propelled by fingerpicked guitar and serenely poetic vocal prowess — shines on Seismic, the latest from David Bayless. The release is a consistent display in riveting songwriting from Bayless, who is originally from Northern California and now based in Zürich, Switzerland. His ability to craft emotively stirring entrancement within often subdued folk productions remind fondly of Elliott Smith. The EP’s opening title track exudes a sense of unraveling, like a seismic shift. “The thread exposed, skinned down to the nerve,” Bayless sings amidst lush acoustic immersion. “Playing tug of war, in a house that burns.”
The stirring debut album from London-based artist Joseph Bell, Exploding Stars showcases a songwriter with a gift for pairing radiant melodies and dreamy productions with insightful self-reflection. The record shifts with ease between airy pop sparkle and moments of moody thoughtfulness, anchored by Bell’s engaging vocal presence and knack for hooky melodic unveilings. “Take A Breath” opens the album with a smoothly inviting pop charm, where mellow key twinkling and twangy guitar delights intertwine with layers of vocal introspection. “Some days I’m scared I’ll self-destruct,” Bell’s vocals admit, driving into a title-beckoning call for taking a moment, rather than beating
A powerfully emotive rocker from Manchester-based artist Chords of Indigo, “The Thread” envelops in its climactic prog-rock dynamics and culminating, hooky vocal soaring. The track marks the opener to the project’s upcoming five-track concept EP, Evelyn and the Evil. Singer-songwriter Lee Hornsby channels an enjoyable tonal balance here and throughout Chords of Indigo’s output. In the case of “The Thread,” a darker intrigue resonates in the verses’ steady guitar pulses, while the cathartic chorus finds an enjoyable uptick in vocal vibrancy and textural guitar immersion. Within the EP’s thematic context, “The Thread” represents “the beginning of Evelyn’s descent into The
On September 12, 2005, “Parlaphone” label released “Chaos and Creation in the Backyard”, the thirteenth Paul McCartney studio album. It was recorded September 2023 – April 2005, at “RAL” and “AIR” in London, “Ocean Way” in Hollywood, and was produced by Nigel Godrich. Personnel: Paul McCartney – vocals, acoustic and electric guitar, classical guitar, 12 string guitar, tambourine…
On September 12, 1980, “EMI” label released “Further Inland”, the second Ulf Lundell studio album. It was recorded at “Ridge Farm” in Surrey, England , and was produced by Kjell Andersson , Lasse Lindbom and Ulf Lundell. Personnel: Ulf Lundell – vocal, guitar, piano, harmonica Janne Andersson – guitar Mats Ronander - guitar, harmonica, choir Speedy Keen - lead guitar Niklas Strömstedt - piano, Vox organ, choir Hasse Olsson -…
On September 12, 1980, “Jet” label released “Blizzard of Ozz”, the debut Ozzy Osbourne studio album. It was recorded March – April 1980, at “Ridge Farm Studio” in Rusper, England, and was produced by Ozzy Osbourne, Randy Rhoads, Bob Daisley and Lee Kerslake. Personnel: Ozzy Osbourne – lead and harmony vocals Randy Rhoads – guitars Don Airey –…