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Society for US Intellectual History Blog

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Society for US Intellectual History Blog

20.12.2024

Author Meets Critics: Response by Kunal M. Parker | Society for US Intellectual History

Immense thanks to Paul Murphy, Casey Eilbert, and Angus Burgin for their thoughtful engagements with Daniel Wickberg’s A History of American Thought, 1860 – 2000: Thinking the Modern and my own The Turn to Process: American Legal, Political, and Economic Thought, 1870-1970. In this response, I set forth what I hoped to accomplish in The

Society for US Intellectual History Blog

21.12.2024

Author Meets Critics: Response by Dan Wickberg, Modernism as a Category in American Intellectual History | Society for US Intellectual History

I want to begin with a few comments about Kunal Parker’s The Turn to Process, and especially its relation to my own book, and then turn to some of the thoughtful comments and criticisms from Paul Murphy, Casey Eilbert, and Angus Burgin. My goal is to identify what I think the strengths of my book

Society for US Intellectual History Blog

22.12.2024

The Media Raiders: The FBI, Hoover, and the Catholic Left | Society for US Intellectual History

While all anti-Vietnam War activities eventually put a spotlight on reactions by law enforcement, in reading Michelle Nickerson's Spiritual Criminals I was surprised at the extent the Camden 28 action involved the Federal Bureau of Investigation and its Counter-Intelligence Program (COINTELPRO). Historians who work on the 1960s already know about COINTELPRO and how it targeted

Society for US Intellectual History Blog

23.12.2024

Jennifer Keishin Armstrong on Jennifer S. Clark’s *Producing Feminism: Television Work in the Age of Women’s Liberation* | Society for US Intellectual History

Women’s presence behind the scenes of the U.S. television industry in the 1970s fundamentally changed the way the medium worked, pushing it toward a more feminist agenda. This is what Jennifer S. Clark argues effectively in Producing Feminism: Television Work in the Age of Women’s Liberation. Clark takes readers beyond the glitz of Hollywood and

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