The best-selling author of “A Man Called Ove,” “Anxious People,” and the “Beartown” trilogy highlights four novels from his native Sweden that are making their English débuts this year.

The New Yorker

03.04.2025

How Tesla Dealerships Became the Epicenter of the Trump Resistance | The New Yorker

More than two hundred protests against Elon Musk and DOGE took place worldwide over the weekend. The staff writer Sarah Larson attended one.

The New Yorker

02.04.2025

The Makeup Artist Deported by Trump | The New Yorker

From the daily newsletter: Jonathan Blitzer on Trump’s invocation of the Alien Enemies Act.

The New Yorker

02.04.2025

The “Snow White” Controversy, Like Our Zeitgeist, Is Both Stupid and Sinister | The New Yorker

Jessica Winter writes about the failure of the “Snow White” reboot at the box office, and how it relates to the Israel-Hamas war and this cultural moment.

The New Yorker

02.04.2025

“Fiume o Morte!” Brilliantly Dramatizes the Rise of a Demagogue | The New Yorker

Richard Brody on Igor Bezinović’s new film thrusting century-old archival footage from the Italian and Croatian border into the present, restaging the brazen reign of an autocrat whose tactics feel startlingly resonant today.

The New Yorker

01.04.2025

Fighting Elon Musk, One Tesla Dealership at a Time | The New Yorker

Sarah Larson writes about the grassroots Tesla Takedown movement—a series of demonstrations against Musk and the Trump Administration.

The New Yorker

01.04.2025

Can John Thune Protect the Senate from Irrelevance? | The New Yorker

From the daily newsletter: how the Trump Administration is threatening to push the Senate to obsolescence—and whether the Senator Majority Leader will try to save it.

The New Yorker

31.03.2025

The Second Season of “Wolf Hall” Surpasses Its Acclaimed Predecessor | The New Yorker

Inkoo Kang reviews the second and final season of the BBC/PBS adaptation of Hilary Mantel’s Tudor trilogy, directed by Peter Kosminsky and written by Peter Straughan and starring Mark Rylance as Thomas Cromwell and Damian Lewis as Henry VIII.

The New Yorker

31.03.2025

Ayşegül Savaş Reads “Marseille” | The New Yorker

On The Writer’s Voice podcast, Ayşegül Savaş reads “Marseille,” her story from the April 7, 2025, issue of The New Yorker.

The New Yorker

31.03.2025

Elizabeth Kolbert on John McPhee’s “Encounters with the Archdruid” | The New Yorker

The staff writer revisits a classic of environmental reporting, about a trip to Miners Ridge, in Washington State’s Glacier Peak Wilderness, with the Sierra Club leader David Brower and the Stanford geologist Charles Park.

The New Yorker

31.03.2025

Ayşegül Savaş on Friendship and Friction | The New Yorker

Cressida Leyshon interviews the writer Ayşegül Savaş about “Marseille,” her story from the April 7, 2025, issue of The New Yorker.

The New Yorker

31.03.2025

“Marseille,” by Ayşegül Savaş | The New Yorker

Fiction by Ayşegül Savaş, the author of “The Anthropologists,” “Walking on the Ceiling,” and “Long Distance”: Alba stretched her arms dramatically. “I mean, I guess it would be fun to have an amoureux in Marseille.”

The New Yorker

30.03.2025

Welcome to the Preschool Plague Years | The New Yorker

Kathryn Schulz writes about what it’s like as a parent of young children to deal with constant colds, flus, and other common illnesses.

The New Yorker

30.03.2025

An Ingénue’s Intimate Snapshots of the New Hollywood | The New Yorker

Michael Schulman on Polaroid closeups of familiar faces—Steven Spielberg, Carrie Fisher, Jeff Bridges—by Candy Clark, and a looser time in show business.

The New Yorker

30.03.2025

Why Do We Want to Believe That Jim Morrison Is Still Alive? | The New Yorker

Naomi Fry on the documentary “Before the End: Searching for Jim Morrison,” streaming on Apple TV+, about the conspiracies surrounding the life and death of the Doors lead singer.

The New Yorker

29.03.2025

Inside the Homes of the Ultra-Rich | The New Yorker

From the daily newsletter: a report from Florida’s billionaire enclave.

The New Yorker

28.03.2025

Daily Cartoon: Thursday, March 27th | The New Yorker

Niall Maher’s Daily Cartoon humorously riffs on the Trump Administration’s open defiance of court orders.

The New Yorker

28.03.2025

A Playlist for Spring | The New Yorker

From the daily newsletter: a playlist to help you navigate the season’s awkward in-between days.

The New Yorker

28.03.2025

Bonus Daily Cartoon: Extracurricular Activity | The New Yorker

Guy Richards Smit’s Daily Cartoon satirizes the Trump Administration using ICE agents to arrest and deport pro-Palestinian students.

The New Yorker

27.03.2025

Will Trump’s Obsession with Space Save NASA? | The New Yorker

“NASA is going to be politicized in a way that it’s never been politicized before,” the reporter David W. Brown says. “And I’m afraid there’s no way to undo that once it’s happened.”

The New Yorker

27.03.2025

The Cinematic Glories of Manoel de Oliveira’s Endless Youth | The New Yorker

Richard Brody writes about how the Portuguese director, who made twenty-two features after the age of eighty, rejuvenated the art of movies by linking personal experience to the arc of history.

The New Yorker

27.03.2025

How Divorce Makes the Private Political | The New Yorker

From the daily newsletter: Emily Witt attends a Bernie Sanders rally.

The New Yorker

26.03.2025

Daily Cartoon: Tuesday, March 25th | The New Yorker

Peter Kuper’s Daily Cartoon humorously riffs on the incident in which Trump Administration officials leaked top-secret military information via text message.

The New Yorker

26.03.2025

The Zambian Sensibility of “On Becoming a Guinea Fowl” | The New Yorker

Namwali Serpell writes about Rungano Nyoni’s film “On Becoming a Guinea Fowl” and how it deftly captures the nuances of Zambian culture.

The New Yorker

26.03.2025

A Cohesive Message from Progressives | The New Yorker

From the daily newsletter: Emily Witt attends a Bernie Sanders rally.

The New Yorker

25.03.2025

Daily Cartoon: Monday, March 24th | The New Yorker

Lia Strasser and Bizzy Coy’s Daily Cartoon humorously riffs on “The White Lotus,” fan theories, and deathbed revelations.

The New Yorker

25.03.2025

Why The Police Refused to Investigate a Serial Rapist | The New Yorker

The social safety net under Trump, Indian pizza, and how to give the perfect toast.

The New Yorker

24.03.2025

“Hatagaya Lore,” by Bryan Washington | The New Yorker

Fiction by Bryan Washington, the author of “Family Meal”: The bar was mostly empty, but Aaliyah was playing, so I passed the bartender some yen, and after he mixed my drink he lingered in front of me.

The New Yorker

24.03.2025

Richard Brody on Pauline Kael’s “Notes on Heart and Mind” | The New Yorker

The film critic revisits a column by his predecessor, who became famous for her review of “Bonnie and Clyde” and her support of young filmmakers such as Martin Scorsese and Brian De Palma.

The New Yorker

24.03.2025

Bryan Washington Reads “Hatagaya Lore” | The New Yorker

On The Writer’s Voice podcast, Bryan Washington reads “Hatagaya Lore,” his story from the March 31, 2025, issue of The New Yorker.

The New Yorker

24.03.2025

Bryan Washington on Writing Toward Optimism | The New Yorker

Willing Davidson interviews the writer Bryan Washington about “Hatagaya Lore,” his story from the March 31, 2025, issue of The New Yorker.

The New Yorker

24.03.2025

Helen, Help Me: Should I Be Cooking with Ostrich Eggs? | The New Yorker

In an installment of Helen Rosner’s advice column, “Helen, Help Me!,” she advises on alternatives to hen eggs, such as ostrich, goose, emu, and duck.

The New Yorker

23.03.2025

Your A.I. Lover Will Change You | The New Yorker

Jaron Lanier writes that a future where many humans are in love with bots may not be far off. Should we regard them as training grounds for healthy relationships or as nihilistic traps?

The New Yorker

23.03.2025

The Flawed Heart of “Adolescence” | The New Yorker

Doreen St. Félix on the Netflix crime series “Adolescence,” which dispenses with the usual whodunnit element of a police procedural to focus instead on the motive behind a murder.

The New Yorker

23.03.2025

Will Judges Stick Together to Face Trump’s Defiance? | The New Yorker

“If they don’t stand up to Trump right now on this kind of power grab, then the pretenses of what the courts are for will be really exposed,” Michael Waldman, the C.E.O. of the Brennan Center for Justice, says.

The New Yorker

23.03.2025

For Elias Williams, the Hip-Hop Beat Machine Carries the Soul of Community | The New Yorker

Sheldon Pearce writes on Elias Williams’s “Straight Loops, Light & Soul,” about the underground beat-maker scene in Queens, evoking Roy DeCarava and the music of J Dilla.

The New Yorker

23.03.2025

Disney’s “Snow White” Remake Whistles But Doesn’t Work | The New Yorker

Loathed even before its release, the latest live-action version of an animated classic embodies many of the cynical moves of the remake racket, Justin Change writes.

The New Yorker

22.03.2025

How a Liquor-Store Assistant Manager Became Trump’s Liaison to NASA | The New Yorker

NASA under Trump, attempts to dismantle the D.O.E., Gavin Newsom’s podcast, and Robert De Niro.

The New Yorker

21.03.2025

Does Gossip Serve the Greater Good? | The New Yorker

From the daily newsletter: Gossip about gossip. Plus: the Trump Administration’s latest moves; Andrew Scott’s dazzling one-man “Vanya”; and trend predictions from our staff.

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The New Yorker - Science & Technology

This Year’s Theatre Season Is Nuts | The New Yorker

Fredrik Backman on the Art of Scandinavian Storytelling | The New Yorker

How Tesla Dealerships Became the Epicenter of the Trump Resistance | The New Yorker

The Makeup Artist Deported by Trump | The New Yorker

The “Snow White” Controversy, Like Our Zeitgeist, Is Both Stupid and Sinister | The New Yorker

“Fiume o Morte!” Brilliantly Dramatizes the Rise of a Demagogue | The New Yorker

Fighting Elon Musk, One Tesla Dealership at a Time | The New Yorker

Can John Thune Protect the Senate from Irrelevance? | The New Yorker

The Second Season of “Wolf Hall” Surpasses Its Acclaimed Predecessor | The New Yorker

Ayşegül Savaş Reads “Marseille” | The New Yorker

Elizabeth Kolbert on John McPhee’s “Encounters with the Archdruid” | The New Yorker

Ayşegül Savaş on Friendship and Friction | The New Yorker

“Marseille,” by Ayşegül Savaş | The New Yorker

Welcome to the Preschool Plague Years | The New Yorker

An Ingénue’s Intimate Snapshots of the New Hollywood | The New Yorker

Why Do We Want to Believe That Jim Morrison Is Still Alive? | The New Yorker

Inside the Homes of the Ultra-Rich | The New Yorker

Daily Cartoon: Thursday, March 27th | The New Yorker

A Playlist for Spring | The New Yorker

Bonus Daily Cartoon: Extracurricular Activity | The New Yorker

Will Trump’s Obsession with Space Save NASA? | The New Yorker

The Cinematic Glories of Manoel de Oliveira’s Endless Youth | The New Yorker

How Divorce Makes the Private Political | The New Yorker

Daily Cartoon: Tuesday, March 25th | The New Yorker

The Zambian Sensibility of “On Becoming a Guinea Fowl” | The New Yorker

A Cohesive Message from Progressives | The New Yorker

Daily Cartoon: Monday, March 24th | The New Yorker

Why The Police Refused to Investigate a Serial Rapist | The New Yorker

“Hatagaya Lore,” by Bryan Washington | The New Yorker

Richard Brody on Pauline Kael’s “Notes on Heart and Mind” | The New Yorker

Bryan Washington Reads “Hatagaya Lore” | The New Yorker

Bryan Washington on Writing Toward Optimism | The New Yorker

Helen, Help Me: Should I Be Cooking with Ostrich Eggs? | The New Yorker

Your A.I. Lover Will Change You | The New Yorker

The Flawed Heart of “Adolescence” | The New Yorker

Will Judges Stick Together to Face Trump’s Defiance? | The New Yorker

For Elias Williams, the Hip-Hop Beat Machine Carries the Soul of Community | The New Yorker

Disney’s “Snow White” Remake Whistles But Doesn’t Work | The New Yorker

How a Liquor-Store Assistant Manager Became Trump’s Liaison to NASA | The New Yorker

Does Gossip Serve the Greater Good? | The New Yorker

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