From the November 20, 2024, edition of The New Yorker newsletter: Ronan Farrow on new spyware tech. Plus: the Northeast is becoming fire country; what Trump means for Ukraine; and tech enters its cozy era.

The New Yorker

21.11.2024

“Wicked” and “Gladiator II” Offer Nostalgic, Half-Satisfying Showdowns | The New Yorker

Justin Chang reviews Jon M. Chu’s “Wicked,” starring Ariana Grande, Cynthia Erivo, Bowen Yang, Michelle Yeoh, and Jonathan Bailey, and Ridley Scott’s “Gladiator II,” with Denzel Washington, Pedro Pascal, and Paul Mescal.

The New Yorker

20.11.2024

“Nightbitch” and the National Mood | The New Yorker

From the November 19, 2024, edition of The New Yorker newsletter: Emily Nussbaum on the director Marielle Heller. Plus: a timely triennial of Latino art; Donald Trump’s U.F.C. victory party; and can A.I. improve our conversations?

The New Yorker

19.11.2024

Letters from Our Readers | The New Yorker

Readers respond to Nicholas Lemann’s article on Bidenomics, Kathryn Schulz’s essay on animal mortality, and Jazmine Hughes’s piece on Alpha Kappa Alpha.

The New Yorker

19.11.2024

The Crossword: Monday, November 18, 2024 | The New Yorker

A free online puzzle published every weekday, with difficulty levels ranging from easy to hard, and answers and clues that exhibit the wit and intelligence of the magazine.

The New Yorker

19.11.2024

I.S.O.: Ten to Fifteen Lesbians Over Sixty. Nudity Optional | The New Yorker

The artist Samantha Nye tries to drum up models for a shoot of a female-only “pleasure party” at the Belvedere Guest House, the all-male gay compound, H. C. Wilentz writes.

The New Yorker

19.11.2024

“Before I Can Exist, I Have to Enter the Gift Shoppe,” by Lisa Russ Spaar | The New Yorker

Poetry by Lisa Russ Spaar: “America, like hope’s sharp pencil, / winks brightly beyond a gantlet of elegant shill.”

The New Yorker

19.11.2024

The Secrets of California’s Death Team | The New Yorker

From the November 18, 2024, edition of The New Yorker newsletter: Jennifer Gonnerman on California’s death-penalty prosecutions. Plus: understanding Latino support for Trump; a casting call for lesbians over sixty; and what is Elon Musk thinking?

The New Yorker

19.11.2024

Daily Cartoon: Monday, November 18th | The New Yorker

Tom Toro’s Daily Cartoon humorously riffs on dogs, playing catch, joy in the simple things, and depression.

The New Yorker

18.11.2024

Saïd Sayrafiezadeh Reads “Minimum Payment Due” | The New Yorker

On The Writer’s Voice podcast, Saïd Sayrafiezadeh reads “Minimum Payment Due,” his story from the November 25, 2024, issue of The New Yorker.

The New Yorker

18.11.2024

Restaurant Review: Upstairs and Downstairs at Clemente Bar | The New Yorker

Helen Rosner reviews Clemente Bar, situated upstairs at Eleven Madison Park, the vaunted, now-vegetarian tasting-menu spot from Daniel Humm.

The New Yorker

18.11.2024

“Minimum Payment Due,” by Saïd Sayrafiezadeh | The New Yorker

Fiction by Saïd Sayrafiezadeh: I had no story except my debt. And debt wasn’t a story. Debt was a lack of foresight. Debt was being caught up in the moment. Debt was an indication of character.

The New Yorker

18.11.2024

Eddie Palmieri Says Don’t Call It a Comeback | The New Yorker

Carina del Valle Schorske writes on Eddie Palmieri, the pianist, bandleader, and Jazz Master.

The New Yorker

17.11.2024

Documentaries of Dissent | The New Yorker

Doreen St. Félix writes about two documentaries, “No Other Land” and “Union,” about Palestinians and about unionization efforts at Amazon.

The New Yorker

17.11.2024

Bearing Witness to American Exploits | The New Yorker

Clare Malone writes about Peter van Agtmael’s images of war and domestic strife, which form the careful narrative arc of his new book, “Look at the U.S.A.”

The New Yorker

16.11.2024

R.F.K., Jr.,’s Next Move | The New Yorker

From the November 15, 2024, edition of The New Yorker newsletter: Clare Malone on R.F.K., Jr.,’s health crusade. Plus: more on Trump’s extreme Cabinet; the naïveté of post-election despair; and the gripping drama of “Say Nothing.”

The New Yorker

16.11.2024

Danielle Deadwyler on August Wilson and Denzel Washington | The New Yorker

On The New Yorker Radio Hour, the actress Danielle Deadwyler discusses starring in the new film adaptation of August Wilson’s play “The Piano Lesson.”

The New Yorker

16.11.2024

The Authors of “How Democracies Die” on the New Democratic Minority | The New Yorker

On The New Yorker Radio Hour, David Remnick interviews the political scientists Steven Levitsky and Daniel Ziblatt.

The New Yorker

15.11.2024

How Far Would Matt Gaetz Go? | The New Yorker

From the November 14, 2024, edition of The New Yorker newsletter: Dexter Filkins on the potential next Attorney General. Plus: the right’s new rallying cry, a gorgeous Mumbai rhapsody, and Branden Jacobs-Jenkins’s elegiac farce.

The New Yorker

14.11.2024

Facts Versus Feelings | The New Yorker

From the November 13, 2024, edition of The New Yorker newsletter: Nathan Heller on why details didn’t matter in this election. Plus: an ultra-contemporary artist; how Elon Musk rebranded Trump; and is the twentieth-century novel a genre?

The New Yorker

14.11.2024

How R.E.M. Created Alternative Music | The New Yorker

In the cultural wasteland of the Reagan era, they showed that a band could break through to mass appeal without being cheesy, or nostalgic, or playing hair metal. Mark Krotov writes.

The New Yorker

14.11.2024

Annette Gordon-Reed on the Dark Side of the American Story | The New Yorker

The morning after the election, the historian discussed some books that shed light on the precedents for our fractured political moment.

The New Yorker

14.11.2024

Chris Hayes on the New Trump Coalition, and What Democrats Do Next | The New Yorker

On the Political Scene podcast, Andrew Marantz interviews Chris Hayes about what the Democrats do in response to the incoming Trump Administration.

The New Yorker

13.11.2024

A Republican Focus on the Family | The New Yorker

From the November 12, 2024, edition of The New Yorker newsletter: Emma Green on the new pro-life playbook. Plus: why Democrats whiffed on the minimum wage; images of small-town Ohio; and is there reason for hope?

The New Yorker

13.11.2024

Daily Cartoon: Tuesday, November 12th | The New Yorker

Enrico Pinto’s Daily Cartoon humorously riffs on the grim outlook of many people after the 2024 election, and the speed with which Christmas decorations are put up after Halloween

The New Yorker

12.11.2024

Rachel Maddow on Authoritarians and Thieves | The New Yorker

From the November 11, 2024, edition of The New Yorker newsletter: Rachel Maddow on authoritarians and thieves. Plus: how Trump benefitted from the politics of inflation; the end of American climate leadership; and a novel that captures Modi’s India.

The New Yorker

12.11.2024

“Emilia Pérez” Is an Incurious Musical About a Trans Drug Lord | The New Yorker

Richard Brody reviews the film “Emilia Pérez,” directed by Jacques Audiard and starring Zoe Saldaña, Selena Gomez, and Karla Sofía Gascón.

The New Yorker

12.11.2024

Daily Cartoon: Monday, November 11th | The New Yorker

Brendan Loper’s Daily Cartoon humorously riffs on game shows, tax cuts that benefit the rich, and Donald Trump’s 2024 electoral victory.

The New Yorker

11.11.2024

Pope Francis, the Cardinals, and “Conclave” | The New Yorker

Paul Elie writes that the Vatican’s Synod on Synodality was nothing like papal gatherings of cinematic lore, but it clearly reflects Francis’s view of what the Church should be.

The New Yorker

11.11.2024

Restaurant Review: Bridges | The New Yorker

Helen Rosner reviews Bridges, in Chinatown, from Sam Lawrence, previously of Ignacio Mattos’s Estela and Café Altro Paradiso.

The New Yorker

11.11.2024

Haruki Murakami on Rethinking Early Work | The New Yorker

Haruki Murakami discusses his latest novel, “The City and Its Uncertain Walls,” and his growth as a writer with Deborah Treisman.

The New Yorker

11.11.2024

“Heavy Snow,” by Han Kang | The New Yorker

Fiction by Han Kang: I have made my way here at Inseon’s request. Because she said, I need you to go to my place in Jeju. If you don’t, she’ll die.

The New Yorker

10.11.2024

Donald Trump Returns. What Now? | The New Yorker

“This is the pivotal four years,” Susan B. Glasser says. “We’re going to understand whether something like an American strongman can arise within our system right now or not.”

The New Yorker

10.11.2024

The Feminist Critic Who Kept Flaubert on His Toes | The New Yorker

Victoria Baena on the writer Gustave Flaubert’s relationship with the feminist socialist activist and novelist Amélie Bosquet, with whom he flirted and exchanged ideas, until her ideas threatened his work.

The New Yorker

10.11.2024

Into the Phones of Teens | The New Yorker

Naomi Fry writes about “Social Studies,” Lauren Greenfield’s FX docuseries about teens and their relationship to social media.

The New Yorker

08.11.2024

How Trump’s Election Victory in 2024 Differs from 2016 | The New Yorker

Jelani Cobb on the guardrails that are no longer in place to safeguard democracy during a second Trump Presidency; an emboldened Republican Party; right-wing judges; and mistakes by Kamala Harris’s campaign.

The New Yorker

08.11.2024

Reprise: Writers Respond to Donald Trump’s 2024 Reëlection | The New Yorker

Rachel Maddow, Jennifer Egan, Jia Tolentino, Timothy Snyder, and others on Kamala Harris’s loss and its impact on abortion rights, racism, American fascism, and more topics.

The New Yorker

08.11.2024

The Deep Rot Revealed by Trump’s Return to Power | The New Yorker

George Saunders on America's polarized politics, which led to the defeat of Kamala Harris in the 2024 election, and on the chances for reconciliation among Democrats and MAGA Republicans.

The New Yorker

08.11.2024

Men Versus Women in America | The New Yorker

From the November 7, 2024, edition of The New Yorker newsletter: Jia Tolentino on America’s gender war. Plus: what’s next for reproductive rights, reading “King Lear” during a hurricane, and Jesse Eisenberg’s bromance-Holocaust movie.

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The New Yorker - Science & Technology

What Is Donald Trump’s Cabinet Planning for America? | The New Yorker

Is Your Data Safe from the Government? | The New Yorker

“Wicked” and “Gladiator II” Offer Nostalgic, Half-Satisfying Showdowns | The New Yorker

“Nightbitch” and the National Mood | The New Yorker

Letters from Our Readers | The New Yorker

The Crossword: Monday, November 18, 2024 | The New Yorker

I.S.O.: Ten to Fifteen Lesbians Over Sixty. Nudity Optional | The New Yorker

“Before I Can Exist, I Have to Enter the Gift Shoppe,” by Lisa Russ Spaar | The New Yorker

The Secrets of California’s Death Team | The New Yorker

Daily Cartoon: Monday, November 18th | The New Yorker

Saïd Sayrafiezadeh Reads “Minimum Payment Due” | The New Yorker

Restaurant Review: Upstairs and Downstairs at Clemente Bar | The New Yorker

“Minimum Payment Due,” by Saïd Sayrafiezadeh | The New Yorker

Eddie Palmieri Says Don’t Call It a Comeback | The New Yorker

Documentaries of Dissent | The New Yorker

Bearing Witness to American Exploits | The New Yorker

R.F.K., Jr.,’s Next Move | The New Yorker

Danielle Deadwyler on August Wilson and Denzel Washington | The New Yorker

The Authors of “How Democracies Die” on the New Democratic Minority | The New Yorker

How Far Would Matt Gaetz Go? | The New Yorker

Facts Versus Feelings | The New Yorker

How R.E.M. Created Alternative Music | The New Yorker

Annette Gordon-Reed on the Dark Side of the American Story | The New Yorker

Chris Hayes on the New Trump Coalition, and What Democrats Do Next | The New Yorker

A Republican Focus on the Family | The New Yorker

Daily Cartoon: Tuesday, November 12th | The New Yorker

Rachel Maddow on Authoritarians and Thieves | The New Yorker

“Emilia Pérez” Is an Incurious Musical About a Trans Drug Lord | The New Yorker

Daily Cartoon: Monday, November 11th | The New Yorker

Pope Francis, the Cardinals, and “Conclave” | The New Yorker

Restaurant Review: Bridges | The New Yorker

Haruki Murakami on Rethinking Early Work | The New Yorker

“Heavy Snow,” by Han Kang | The New Yorker

Donald Trump Returns. What Now? | The New Yorker

The Feminist Critic Who Kept Flaubert on His Toes | The New Yorker

Into the Phones of Teens | The New Yorker

How Trump’s Election Victory in 2024 Differs from 2016 | The New Yorker

Reprise: Writers Respond to Donald Trump’s 2024 Reëlection | The New Yorker

The Deep Rot Revealed by Trump’s Return to Power | The New Yorker

Men Versus Women in America | The New Yorker

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