Helen Shaw reviews the revival of Arthur Laurents, Stephen Sondheim, and Jule Styne’s musical, directed by George C. Wolfe, about Momma Rose and Gypsy Rose Lee.

The New Yorker

22.12.2024

“Babygirl” Never Really Makes a Mess | The New Yorker

Naomi Fry writes about the film “Babygirl,” directed by Halina Reijn and starring Nicole Kidman, and the relationship at the heart of the erotic thriller.

The New Yorker

20.12.2024

The Afterimage of Arlene Croce | The New Yorker

Jennifer Homans writes a remembrance of the dance critic Arlene Croce, who died on December 16, 2024.

The New Yorker

20.12.2024

“A Complete Unknown” Shears Off Vital Details in the Life of a Colossal, Complicated Artist | The New Yorker

Richard Brody reviews the film “A Complete Unknown,” a bio-pic about the musician Bob Dylan, directed by James Mangold and starring Timothée Chalamet.

The New Yorker

20.12.2024

The Year Our Readers Made Possible | The New Yorker

From the December, 19, 2024 edition of The New Yorker newsletter: David Remnick on a surreal year. Plus: a cancer-causing virus hiding in millions of Americans; learning from the failures of the Arab Spring; and the afterimage of Arlene Croce.

The New Yorker

20.12.2024

Daily Cartoon: Thursday, December 19th | The New Yorker

Matt Reuter’s Daily Cartoon humorously riffs on angels, devils, and the relative shipping times and costs of priority shipping vs. ground transport.

The New Yorker

19.12.2024

The “Nickel Boys” Director RaMell Ross on Making the Most Haunting Scene | The New Yorker

The Oscar-nominated filmmaker discusses finding the proper perspective for depicting the characters of his latest film adaptation.

The New Yorker

19.12.2024

We Have Some Questions for Isaac Chotiner about 2024 | The New Yorker

On The Political Scene podcast: “Joe Biden set out not just to defeat Donald Trump but to defeat Trumpism,” Chotiner says. “And he failed at that.”

The New Yorker

19.12.2024

Luca Guadagnino’s Fascination with the Bourgeoisie | The New Yorker

The “Challengers” and “Queer” director discusses some books about his longtime preoccupation: the codes and customs of the rich.

The New Yorker

19.12.2024

A Call to Action on the Haditha Massacre | The New Yorker

From the December 18, 2024, edition of The New Yorker newsletter: In the Dark’s reporting is cited in a congressional request to the Department of Defense. Plus: the decluttering craze; Justin Chang’s favorite films of 2024; and our obsession with cheating celebrities.

The New Yorker

19.12.2024

A Cancer-Causing Virus Hiding in Millions of Americans | The New Yorker

Ingfei Chen writes about hepatitis B, which can lead to liver cancer and often goes undetected.

The New Yorker

18.12.2024

Daily Cartoon: Tuesday, December 17th | The New Yorker

Ellie Black’s Daily Cartoon humorously riffs on Santa Claus and work visas.

The New Yorker

18.12.2024

The Top Twenty-five New Yorker Stories of 2024 | The New Yorker

A list of the most-read stories of the year, including pieces involving Donald Trump, Pete Hegseth, Luigi Mangione, Lucy Letby, Kanye West, and Ina Garten, shared by Michael Luo.

The New Yorker

18.12.2024

Why Can’t You Pack a Bag? | The New Yorker

An overstuffed suitcase, Joshua Rothman writes, can be an insoluble problem—until you solve it.

The New Yorker

17.12.2024

Daily Cartoon: Monday, December 16th | The New Yorker

Tyson Cole’s Daily Cartoon humorously riffs on Santa Claus, elves, and drones.

The New Yorker

17.12.2024

Introducing the Cartoons & Puzzles Issue | The New Yorker

From the December 16, 2024, edition of The New Yorker newsletter: Anthony Lane on the secret history of risotto. Plus: introducing the Cartoons & Puzzles Issue; the year in brain rot; and the costs of our health-care system.

The New Yorker

16.12.2024

“Revision,” by Daisy Hildyard | The New Yorker

Fiction by Daisy Hildyard: For the first time, Gabriel accepted that this privilege was in his possession. He had taken his place at the table.

The New Yorker

16.12.2024

Food Review: Three Exceptional Panettones | The New Yorker

Helen Rosner writes about three good panettones, from the pastry chef Luigi Biasetto, Acetaia Leonardi, and the bakery Olivieri 1882.

The New Yorker

16.12.2024

Daisy Hildyard Reads “Revision” | The New Yorker

On the Writer's Voice podcast, Daisy Hildyard reads “Revision,” her story from the December 23, 2024, issue of the magazine.

The New Yorker

16.12.2024

The Best Pop Songs of 2024 | The New Yorker

The year’s breakthrough music moments included a Taylor Swift comeback, an unexpected Internet-rap collab, and an absurdist sample of “Somewhere Over the Rainbow.” Carrie Battan writes.

The New Yorker

16.12.2024

Daisy Hildyard on Seeing Interconnectedness | The New Yorker

Dennis Zhou interviews the writer Daisy Hildyard about her story “Revision,” which appears in the December 23, 2024, issue of The New Yorker.

The New Yorker

15.12.2024

Have the Democrats Become the Party of the Élites? | The New Yorker

Andrew Marantz writes about the sociologist Musa al-Gharbi, who argues that the “Great Awokening” alienated “normie voters,” making it difficult for Kamala Harris—and possibly future Democrats—to win.

The New Yorker

15.12.2024

How “Nickel Boys” Critiques the Camera in America Cinema | The New Yorker

RaMell Ross’s drama—a remarkable one, about institutions, Black male friendship, social mimicry, and the Black political dream—feels shot through with the history of American image-making, Doreen St. Félix writes.

The New Yorker

14.12.2024

Rashid Khalidi on the Palestinian Cause in a Volatile Middle East, and the Meaning of Settler Colonialism | The New Yorker

On The New Yorker Radio Hour: the historian argues that early Zionists saw themselves as colonizers in Palestine.

The New Yorker

14.12.2024

Missing Persons: The Characters of “Nightbitch” Are Left Blank | The New Yorker

Richard Brody on how Marielle Heller’s adaptation of Rachel Yoder’s novel, starring Amy Adams, omits most of the protagonist’s inner life and shrinks the outer life, too.

The New Yorker

14.12.2024

Daily Cartoon: Friday, December 13th | The New Yorker

Emily Flake’s Daily Cartoon humorously riffs on holiday newsletters and Substack.

The New Yorker

13.12.2024

How to Create the Best Pecan Pie | The New Yorker

From the December 12, 2024, edition of The New Yorker newsletter: Molly Fischer on her favorite winter dessert. Plus: profits over people in the health-care industry; Jon Lee Anderson visits Syria’s most fearsome prison; and Leos Carax’s whirligig self-portrait film.

The New Yorker

13.12.2024

The Mordant Observations of a Legendary Muse | The New Yorker

Negar Azimi writes about Caroline Blackwood, who inspired works by Lucian Freud and Robert Lowell. Her story collection “The Stepdaughter” was recently reissued by McNally Editions.

The New Yorker

13.12.2024

Why Luigi Mangione Is Being Treated as a Folk Hero | The New Yorker

On the Political Scene podcast: Tyler Foggatt talks to Jia Tolentino about the public reaction to the killing of the UnitedHeathcare C.E.O. Brian Thompson.

The New Yorker

12.12.2024

Paul Schrader’s Favorite Works of Fiction | The New Yorker

The director, whose latest film, “Oh, Canada,” opened this December, discusses four of his favorites.

The New Yorker

12.12.2024

Nikki Giovanni’s Legacy of Black Love | The New Yorker

Kevin Young writes an obituary for the poet Nikki Giovanni, an indelible American author and activist.

The New Yorker

12.12.2024

Sex Work the American Way | The New Yorker

From the December 11, 2024, edition of The New Yorker newsletter: Rebecca Mead on sex work in America. Plus: remembering Nikki Giovanni; Kenneth Branagh’s life in Shakespeare; and is Kash Patel the new J. Edgar Hoover?

The New Yorker

12.12.2024

Leos Carax’s Self-Portrait Film “It’s Not Me” Is So Him | The New Yorker

Richard Brody writes about the French director Leos Carax’s self-portrait film “It’s Not Me.”

The New Yorker

12.12.2024

2024 Is the Year Creators Took Over | The New Yorker

Kyle Chayka on the cultural and political influence of Internet figures including the Hawk Tuah Girl, Alex Cooper, Theo Von, Jake Paul, and Nara Smith.

The New Yorker

11.12.2024

The Dawn of the Bionic Man | The New Yorker

From the December 10, 2024, edition of The New Yorker newsletter: Rivka Galchen reports on revolutionary prosthetics. Plus: the best TV of 2024; remembering Nikki Giovanni; and are you overreacting?

The New Yorker

10.12.2024

The Cinema of Female Desire | The New Yorker

From the December 9, 2024, edition of The New Yorker newsletter: Alex Barasch on the director of “Babygirl.” Plus: the acquittal of Daniel Penny; Michael Schulman on the best performances of 2024; and Rashid Johnson’s metamorphosis.

The New Yorker

10.12.2024

Bonus Daily Cartoon: Subway Swipe | The New Yorker

Dan Misdea’s Daily Cartoon humorously riffs on the Mets’ acquisition, from the Yankees, of the outfielder baseball player Juan Soto.

The New Yorker

10.12.2024

Kendrick Lamar’s Year on Top | The New Yorker

Hanif Abdurraqib writes that what has made Lamar both fascinating and a bit dangerous, for those, such as Drake, who chose to cross him this year, is the fact that he doesn’t seem to desire anything that his peers have.

The New Yorker

09.12.2024

Restaurant Review: Borgo Is Worth the Trip to Manhattan | The New Yorker

Helen Rosner reviews the Italian spot Borgo, the first Manhattan restaurant from Andrew Tarlow, of Marlow & Sons, Roman’s, and other Brooklyn dining icons.

The New Yorker

09.12.2024

Lauren Groff on Work and Love | The New Yorker

Cressida Leyshon interviews the writer Lauren Groff about her story “Between the Shadow and the Soul,” which appears in the December 16, 2024, issue of The New Yorker.

home›The New Yorker›Science & Technology

The New Yorker - Science & Technology

Audra McDonald Triumphs in “Gypsy” on Broadway | The New Yorker

“Babygirl” Never Really Makes a Mess | The New Yorker

The Afterimage of Arlene Croce | The New Yorker

“A Complete Unknown” Shears Off Vital Details in the Life of a Colossal, Complicated Artist | The New Yorker

The Year Our Readers Made Possible | The New Yorker

Daily Cartoon: Thursday, December 19th | The New Yorker

The “Nickel Boys” Director RaMell Ross on Making the Most Haunting Scene | The New Yorker

We Have Some Questions for Isaac Chotiner about 2024 | The New Yorker

Luca Guadagnino’s Fascination with the Bourgeoisie | The New Yorker

A Call to Action on the Haditha Massacre | The New Yorker

A Cancer-Causing Virus Hiding in Millions of Americans | The New Yorker

Daily Cartoon: Tuesday, December 17th | The New Yorker

The Top Twenty-five New Yorker Stories of 2024 | The New Yorker

Why Can’t You Pack a Bag? | The New Yorker

Daily Cartoon: Monday, December 16th | The New Yorker

Introducing the Cartoons & Puzzles Issue | The New Yorker

“Revision,” by Daisy Hildyard | The New Yorker

Food Review: Three Exceptional Panettones | The New Yorker

Daisy Hildyard Reads “Revision” | The New Yorker

The Best Pop Songs of 2024 | The New Yorker

Daisy Hildyard on Seeing Interconnectedness | The New Yorker

Have the Democrats Become the Party of the Élites? | The New Yorker

How “Nickel Boys” Critiques the Camera in America Cinema | The New Yorker

Rashid Khalidi on the Palestinian Cause in a Volatile Middle East, and the Meaning of Settler Colonialism | The New Yorker

Missing Persons: The Characters of “Nightbitch” Are Left Blank | The New Yorker

Daily Cartoon: Friday, December 13th | The New Yorker

How to Create the Best Pecan Pie | The New Yorker

The Mordant Observations of a Legendary Muse | The New Yorker

Why Luigi Mangione Is Being Treated as a Folk Hero | The New Yorker

Paul Schrader’s Favorite Works of Fiction | The New Yorker

Nikki Giovanni’s Legacy of Black Love | The New Yorker

Sex Work the American Way | The New Yorker

Leos Carax’s Self-Portrait Film “It’s Not Me” Is So Him | The New Yorker

2024 Is the Year Creators Took Over | The New Yorker

The Dawn of the Bionic Man | The New Yorker

The Cinema of Female Desire | The New Yorker

Bonus Daily Cartoon: Subway Swipe | The New Yorker

Kendrick Lamar’s Year on Top | The New Yorker

Restaurant Review: Borgo Is Worth the Trip to Manhattan | The New Yorker

Lauren Groff on Work and Love | The New Yorker

home
›
The New Yorker
›
Science & Technology