Fiction by the Nobel Prize winner Jon Fosse: I need to open the door now, it’s not the end of the world, it’s just that it’s been such a long time since anyone’s knocked on my door.

The New Yorker

02.06.2025

Edwidge Danticat Reads Zadie Smith | The New Yorker

On the Fiction Podcast, Edwidge Danticat joins Deborah Treisman to read and discuss “Two Men Arrive in a Village,” by Zadie Smith, which was published in The New Yorker in 2016.

The New Yorker

02.06.2025

Elif Batuman on Vladimir Nabokov’s “The Perfect Past” | The New Yorker

The staff writer revisits a chapter of the memoir “Speak, Memory”—which was first published in the magazine—by the author of “Lolita” and “Pale Fire.”

The New Yorker

02.06.2025

Louise Erdrich Reads “Love of My Days” | The New Yorker

On The Writer’s Voice podcast, Louise Erdrich reads “Love of My Days,” her story from the June 2, 2025, issue of The New Yorker.

The New Yorker

02.06.2025

Jon Fosse on Writing as an Act of Listening | The New Yorker

Deborah Treisman interviews the writer Jon Fosse about “Elias,” his story from the June 9, 2025, issue of The New Yorker.

The New Yorker

01.06.2025

In Praise of “Northanger Abbey,” Jane Austen’s Least Beloved Novel | The New Yorker

Adelle Waldman writes a defense of “Northanger Abbey,” Jane Austen’s least beloved novel.

The New Yorker

01.06.2025

Sebastião Salgado’s View of Humanity | The New Yorker

Chris Wiley on the photojournalist’s sweepingly cinematic and symbolically loaded work, which captured some of the greatest human horrors of the past century.

The New Yorker

31.05.2025

Brian Eno Knows “What Art Does” | The New Yorker

On The New Yorker Radio Hour, the musician talks with Amanda Petrusich about his two new albums of ambient music, and his book “What Art Does.”

The New Yorker

31.05.2025

Carrie Bradshaw Is Best Enjoyed in the Summer | The New Yorker

From the daily newsletter: a look at the new season of “And Just Like That . . .” Plus: Susan B. Glasser on Elon Musk’s exit; and are the best flour tortillas made in Kansas City?

The New Yorker

30.05.2025

Daily Cartoon: Thursday, May 29th | The New Yorker

Adam Douglas Thompson’s Daily Cartoon humorously riffs on Elon Musk’s departure from the federal government, and DOGE.

The New Yorker

30.05.2025

Is “The Phoenician Scheme” Wes Anderson’s Most Emotional Film? | The New Yorker

Richard Brody reviews Wes Anderson’s “The Phoenician Scheme,” starring Benicio del Toro, Mia Threapleton, Tom Hanks, Michael Cera, Benedict Cumberbatch, and Scarlett Johansson.

The New Yorker

30.05.2025

Trump Could Really Hurt Harvard | The New Yorker

From the daily newsletter: a reality check from a very emotional graduation day in Cambridge.

The New Yorker

30.05.2025

Lessons from “Sesame Street” | The New Yorker

The long-running children’s show is one of the last remaining pieces of American monoculture. But after a half century of change, is “Sesame Street” still the same place we know and love?

The New Yorker

29.05.2025

Sam Altman and Jony Ive Will Force A.I. Into Your Life | The New Yorker

Kyle Chayka on a new partnership between Sam Altman, the founder of OpenAI, and Jony Ive, the designer behind the iPhone, who are teaming up to develop a new device.

The New Yorker

29.05.2025

Examining Trump’s War on the Media, and a Warning from Hungary | The New Yorker

A widely condemned media bill being passed through the Hungarian parliament provides a dangerous road map for how Trump may escalate his attacks on the press in the future.

The New Yorker

29.05.2025

Four Books to Read During Trump 2.0 | The New Yorker

From the daily newsletter: recommended reading from our staffers. Plus: why bad ideas go viral; and the criminalization of Venezuelan street culture.

The New Yorker

29.05.2025

Peter Godfrey-Smith on Alien Intelligences in Our Midst | The New Yorker

The philosopher Peter Godfrey-Smith discusses three novels about cephalopods’ mysterious forms of consciousness.

The New Yorker

29.05.2025

“Love Letters,” Received Forty Years Too Late | The New Yorker

Richard Brody reviews the overlooked film "Love Letters" a small-scale but emotionally potent classic coming to the Criterion Channel.

The New Yorker

28.05.2025

Jafar Panahi’s Cannes Triumph Sends a Warning to Authoritarians Everywhere | The New Yorker

The Iranian director’s Palme d’Or-winning thriller, “It Was Just an Accident,” set the tone for a festival defined by dramas of political resistance, Justin Chang writes.

The New Yorker

28.05.2025

Watch Ilana Glazer Enters The New Yorker Caption Contest | Cartoon Caption Contest | The New Yorker

The actress, writer, and comedian Ilana Glazer tackles The New Yorker's cartoon-caption contest.

The New Yorker

28.05.2025

Bonus Daily Cartoon: Unrehearsed | The New Yorker

Jason Adam Katzenstein’s Bonus Daily Cartoon humorously riffs on psychiatry, hallucinations, and Nathan Fielder’s “The Rehearsal.”

The New Yorker

28.05.2025

Trump’s Government of Billionaires | The New Yorker

From the daily newsletter: how we ended up with an oligarch-in-chief. Plus: Plus: the consequences of a lack of consensus on A.I.; and the latest addition to the rich-people-suck genre.

The New Yorker

27.05.2025

William F. Buckley, Jr., and the Invention of American Conservatism | The New Yorker

Louis Menand reviews “Buckley: The Life and the Revolution That Changed America,” by Sam Tanenhaus.

The New Yorker

27.05.2025

Briefly Noted Book Reviews | The New Yorker

“When It All Burns,” by Jordan Thomas; “William Blake and the Sea Monsters of Love,” by Philip Hoare; “The Emperor of Gladness,” by Ocean Vuong; and “The Words of Dr. L,” by Karen E. Bender.

The New Yorker

27.05.2025

Inspired by “The Crucible,” Miniatures, and “Harriet the Spy” | The New Yorker

Kimberly Belflower, the writer of the Tony-nominated play “John Proctor Is the Villain,” starring Sadie Sink, admires doll houses and pays tribute to a childhood hero, Sarah Larson writes.

The New Yorker

27.05.2025

“Even Here It Is Happening,” by Ada Limón | The New Yorker

Poetry by Ada Limón: “It’s mustard color, the dress— / I must wear it like a uniform.”

The New Yorker

27.05.2025

Annie DiRusso Sings and Tells | The New Yorker

The twenty-five-year-old singer-songwriter sets her mind on finding a good substitute for the F-word (“smash”? “bone”?) before an appearance on “Kimmel,” Amanda Petrusich writes.

The New Yorker

27.05.2025

The Crossword: Monday, May 26, 2025 | The New Yorker

A free online puzzle published every weekday, with difficulty levels ranging from easy to hard, and answers and clues that exhibit the wit and intelligence of the magazine.

The New Yorker

27.05.2025

Kadir Nelson’s “Major Taylor, a Champion Who Led the Way” | The New Yorker

Françoise Mouly speaks with the artist Kadir Nelson about his cover for the June 2, 2025, issue of The New Yorker.

The New Yorker

26.05.2025

The Finale of “The Rehearsal” Is Outlandish and Sublime | The New Yorker

Gideon Lewis-Kraus reviews Season 2 of Nathan Fielder’s mind-bending HBO show, which is, somehow, even more berserk than the first one.

The New Yorker

26.05.2025

Julian Lucas on Hilton Als’s “The Islander” | The New Yorker

Julian Lucas revisits a Profile of Derek Walcott, the poet and playwright from St. Lucia, who won the 1992 Nobel Prize in Literature.

The New Yorker

26.05.2025

Alba de Céspedes’s Broadcasts Against Fascism | The New Yorker

Ann Goldstein on the Italian writer Alba de Céspedes, who took to the radio during the Second World War to urge resistance to the pressures of tyranny.

The New Yorker

26.05.2025

All the Films in Competition at Cannes 2025, Ranked from Best to Worst | The New Yorker

The festival served up its richest edition in years, with multiple standouts among the twenty-two films in contention for the Palme d’Or, writes Justin Chang.

The New Yorker

26.05.2025

Louise Erdrich on Being Haunted by the Landscape of the Past | The New Yorker

Deborah Treisman interviews the writer Louise Erdrich about “Love of My Days,” her story from the June 2, 2025, issue of The New Yorker.

The New Yorker

26.05.2025

“Love of My Days,” by Louise Erdrich | The New Yorker

Fiction by Louise Erdrich, the author of “The Round House” and “The Mighty Red”: She knew who the man was, knew a bullet furrow when she saw one.

The New Yorker

25.05.2025

Watch An Anatomy of Tom Cruise’s “Mission: Impossible” Stunts | The New Yorker

The New Yorker’s Tyler Foggatt on how the actor’s death-defying physical performances are essential to the success of the series.

The New Yorker

25.05.2025

How American Photography Came Into Its Own | The New Yorker

Vince Aletti on “The New Art: American Photography, 1839-1910,” a sprawling exhibit at the Met that charts the medium’s era of busy development.

The New Yorker

25.05.2025

Is “Thunderbolts*” Marvel’s Attempt to Salvage the Superhero Genre? | The New Yorker

Katy Waldman on the flim “Thunderbolts*,” Marvel’s latest installment in its comic-book franchise, and whether it can save the superhero genre.

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Trumpworld’s Court Philosopher | The New Yorker

Jarvis Cocker Is Out of the Rain | The New Yorker

“Elias,” by Jon Fosse | The New Yorker

Edwidge Danticat Reads Zadie Smith | The New Yorker

Elif Batuman on Vladimir Nabokov’s “The Perfect Past” | The New Yorker

Louise Erdrich Reads “Love of My Days” | The New Yorker

Jon Fosse on Writing as an Act of Listening | The New Yorker

In Praise of “Northanger Abbey,” Jane Austen’s Least Beloved Novel | The New Yorker

Sebastião Salgado’s View of Humanity | The New Yorker

Brian Eno Knows “What Art Does” | The New Yorker

Carrie Bradshaw Is Best Enjoyed in the Summer | The New Yorker

Daily Cartoon: Thursday, May 29th | The New Yorker

Is “The Phoenician Scheme” Wes Anderson’s Most Emotional Film? | The New Yorker

Trump Could Really Hurt Harvard | The New Yorker

Lessons from “Sesame Street” | The New Yorker

Sam Altman and Jony Ive Will Force A.I. Into Your Life | The New Yorker

Examining Trump’s War on the Media, and a Warning from Hungary | The New Yorker

Four Books to Read During Trump 2.0 | The New Yorker

Peter Godfrey-Smith on Alien Intelligences in Our Midst | The New Yorker

“Love Letters,” Received Forty Years Too Late | The New Yorker

Jafar Panahi’s Cannes Triumph Sends a Warning to Authoritarians Everywhere | The New Yorker

Watch Ilana Glazer Enters The New Yorker Caption Contest | Cartoon Caption Contest | The New Yorker

Bonus Daily Cartoon: Unrehearsed | The New Yorker

Trump’s Government of Billionaires | The New Yorker

William F. Buckley, Jr., and the Invention of American Conservatism | The New Yorker

Briefly Noted Book Reviews | The New Yorker

Inspired by “The Crucible,” Miniatures, and “Harriet the Spy” | The New Yorker

“Even Here It Is Happening,” by Ada Limón | The New Yorker

Annie DiRusso Sings and Tells | The New Yorker

The Crossword: Monday, May 26, 2025 | The New Yorker

Kadir Nelson’s “Major Taylor, a Champion Who Led the Way” | The New Yorker

The Finale of “The Rehearsal” Is Outlandish and Sublime | The New Yorker

Julian Lucas on Hilton Als’s “The Islander” | The New Yorker

Alba de Céspedes’s Broadcasts Against Fascism | The New Yorker

All the Films in Competition at Cannes 2025, Ranked from Best to Worst | The New Yorker

Louise Erdrich on Being Haunted by the Landscape of the Past | The New Yorker

“Love of My Days,” by Louise Erdrich | The New Yorker

Watch An Anatomy of Tom Cruise’s “Mission: Impossible” Stunts | The New Yorker

How American Photography Came Into Its Own | The New Yorker

Is “Thunderbolts*” Marvel’s Attempt to Salvage the Superhero Genre? | The New Yorker

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