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The New Yorker
19.03.2024
“Errand Into the Maze,” by Deborah Jowitt; “A Map of Future Ruins,” by Lauren Markham; “Wild Houses,” by Colin Barrett; and “The Road from Belhaven,” by Margot Livesey.
Margaret Talbot reviews “Candida Royalle and the Sexual Revolution: A History from Below,” by Jane Kamensky.
On the Writer’s Voice podcast, Zach Williams reads his story from the March 25, 2024, issue of The New Yorker.
Deborah Treisman interviews the writer Zach Williams about “Neighbors,” his story from the March 25, 2024, issue of The New Yorker.
31.05.2025
On The New Yorker Radio Hour, the musician talks with Amanda Petrusich about his two new albums of ambient music, and his book “What Art Does.”
From the daily newsletter: a look at the new season of “And Just Like That . . .” Plus: Susan B. Glasser on Elon Musk’s exit; and are the best flour tortillas made in Kansas City?
01.06.2025
Adelle Waldman writes a defense of “Northanger Abbey,” Jane Austen’s least beloved novel.
Chris Wiley on the photojournalist’s sweepingly cinematic and symbolically loaded work, which captured some of the greatest human horrors of the past century.
21.08.2024
Hanif Abdurraqib writes about the women’s one-hundred-metre races at the Paris Olympics, which culminated in a swift, decisive victory for St. Lucia’s Julien Alfred.
Louisa Thomas writes about Barbora Krejčíková’s victory against Jasmine Paolini at Wimbledon, and the surprises in women’s tennis.
Eren Orbey on the success of the U.S. women’s gymnastics team—comprising Hezly Rivera, Jordan Chiles, Jade Carey, Sunisa Lee, and Simone Biles—at the 2024 Olympics, in Paris.
Louisa Thomas on the Democratic Vice-Presidential nominee’s former role as a high-school football coach, and how his strengths as a leader might translate to his new contest.