News
Entertainment
Science & Technology
Sport
Business & Money
Life
Culture & Art
Hobbies
44 | Follower
The New Yorker
19.03.2024
“Errand Into the Maze,” by Deborah Jowitt; “A Map of Future Ruins,” by Lauren Markham; “Wild Houses,” by Colin Barrett; and “The Road from Belhaven,” by Margot Livesey.
Margaret Talbot reviews “Candida Royalle and the Sexual Revolution: A History from Below,” by Jane Kamensky.
On the Writer’s Voice podcast, Zach Williams reads his story from the March 25, 2024, issue of The New Yorker.
Deborah Treisman interviews the writer Zach Williams about “Neighbors,” his story from the March 25, 2024, issue of The New Yorker.
19.09.2025
Françoise Mouly writes about the artist Barry Blitt’s cover for the September 29, 2025, issue of The New Yorker.
Richard Brody reviews Kogonada’s fantasy film “A Big Bold Beautiful Journey,” starring Colin Farrell and Margot Robbie.
Anthony Lane writes about the legacy of the actor and director Robert Redford, who has died, at the age of eighty-nine.
From the daily newsletter: thoughts on the series finale, without having watched a single other minute of the show.
21.08.2024
Hanif Abdurraqib writes about the women’s one-hundred-metre races at the Paris Olympics, which culminated in a swift, decisive victory for St. Lucia’s Julien Alfred.
Louisa Thomas writes about Barbora Krejčíková’s victory against Jasmine Paolini at Wimbledon, and the surprises in women’s tennis.
Eren Orbey on the success of the U.S. women’s gymnastics team—comprising Hezly Rivera, Jordan Chiles, Jade Carey, Sunisa Lee, and Simone Biles—at the 2024 Olympics, in Paris.
Louisa Thomas on the Democratic Vice-Presidential nominee’s former role as a high-school football coach, and how his strengths as a leader might translate to his new contest.