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The New Yorker
19.03.2024
“Errand Into the Maze,” by Deborah Jowitt; “A Map of Future Ruins,” by Lauren Markham; “Wild Houses,” by Colin Barrett; and “The Road from Belhaven,” by Margot Livesey.
Margaret Talbot reviews “Candida Royalle and the Sexual Revolution: A History from Below,” by Jane Kamensky.
On the Writer’s Voice podcast, Zach Williams reads his story from the March 25, 2024, issue of The New Yorker.
Deborah Treisman interviews the writer Zach Williams about “Neighbors,” his story from the March 25, 2024, issue of The New Yorker.
20.12.2024
Jennifer Homans writes a remembrance of the dance critic Arlene Croce, who died on December 16, 2024.
Matt Reuter’s Daily Cartoon humorously riffs on angels, devils, and the relative shipping times and costs of priority shipping vs. ground transport.
22.12.2024
Naomi Fry writes about the film “Babygirl,” directed by Halina Reijn and starring Nicole Kidman, and the relationship at the heart of the erotic thriller.
Helen Shaw reviews the revival of Arthur Laurents, Stephen Sondheim, and Jule Styne’s musical, directed by George C. Wolfe, about Momma Rose and Gypsy Rose Lee.
21.08.2024
Hanif Abdurraqib writes about the women’s one-hundred-metre races at the Paris Olympics, which culminated in a swift, decisive victory for St. Lucia’s Julien Alfred.
Louisa Thomas writes about Barbora Krejčíková’s victory against Jasmine Paolini at Wimbledon, and the surprises in women’s tennis.
Eren Orbey on the success of the U.S. women’s gymnastics team—comprising Hezly Rivera, Jordan Chiles, Jade Carey, Sunisa Lee, and Simone Biles—at the 2024 Olympics, in Paris.
Louisa Thomas on the Democratic Vice-Presidential nominee’s former role as a high-school football coach, and how his strengths as a leader might translate to his new contest.