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The New Yorker
19.03.2024
“Errand Into the Maze,” by Deborah Jowitt; “A Map of Future Ruins,” by Lauren Markham; “Wild Houses,” by Colin Barrett; and “The Road from Belhaven,” by Margot Livesey.
Margaret Talbot reviews “Candida Royalle and the Sexual Revolution: A History from Below,” by Jane Kamensky.
On the Writer’s Voice podcast, Zach Williams reads his story from the March 25, 2024, issue of The New Yorker.
Deborah Treisman interviews the writer Zach Williams about “Neighbors,” his story from the March 25, 2024, issue of The New Yorker.
15.03.2025
Lance Hansen’s Daily Cartoon humorously riffs on the ides of March, themed merchandise, and the assassination of Julius Caesar.
16.03.2025
Naomi Fry reviews Alec Baldwin’s reality show with his wife, Hilaria, and their kids, on TLC, filmed after the accidental shooting death of Halyna Hutchins on the set of the movie “Rust.”
Nathan Heller reviews the memoir by the editor of Vanity Fair, Spy, and Air Mail, “When the Going Was Good: An Editor’s Adventures During the Last Golden Age of Magazines.”
What do the believers in “tech supremacy” plan to do with the federal government?
21.08.2024
Hanif Abdurraqib writes about the women’s one-hundred-metre races at the Paris Olympics, which culminated in a swift, decisive victory for St. Lucia’s Julien Alfred.
Louisa Thomas writes about Barbora Krejčíková’s victory against Jasmine Paolini at Wimbledon, and the surprises in women’s tennis.
Eren Orbey on the success of the U.S. women’s gymnastics team—comprising Hezly Rivera, Jordan Chiles, Jade Carey, Sunisa Lee, and Simone Biles—at the 2024 Olympics, in Paris.
Louisa Thomas on the Democratic Vice-Presidential nominee’s former role as a high-school football coach, and how his strengths as a leader might translate to his new contest.